by Friedrich Diirrenmatt translated by JAMES KIRKUP The Royal Shakespeare Company's production with Irene Worth , Cyril Cusack
Tony Church , Derek Godfrey
In the private sanatorium known as ' Les Cerisiers 'strange events have recently taken place. Three months ago one of the patients throttled a nurse and now the same thing has happened again. Cost in order of speaking:
Other parts played by Barry Ashton , John Cobner John Harwood
Gordon Honeycombe
Tony Steedman , Dane Howell Ian Lindsay , Pip Rolls
Einstein's violin played by Tessa Robbins
Piano played by Wilfrid Parry Stage production by PETER BROOK *
Radio adaptation and production by WILLIAM GLEN-DOEPEL
Contributors
Unknown:
Friedrich
Diirrenmatt
Translated By:
James
Kirkup
Unknown:
Irene
Worth
Unknown:
Cyril
Cusack
Unknown:
Tony
Church
Unknown:
Derek
Godfrey
Played By:
Barry
Ashton
Played By:
John
Cobner
Played By:
John
Harwood
Unknown:
Gordon
Honeycombe
Unknown:
Tony
Steedman
Unknown:
Dane
Howell
Unknown:
Ian
Lindsay
Unknown:
Pip
Rolls
Played By:
Tessa
Robbins
Played By:
Wilfrid
Parry
Production By:
Peter
Brook
Production By:
William
Glen-Doepel
Narrator:
Norman
Claridge
Inspector VOSS:
John
Nettleton
Head Nurse:
Doris
Hare
Newton:
Tony
Church
Dr von Zahnd:
Irene
Worth
Einstein:
Derek
Godfrey
Frau Lina Rose:
Patience
Collier
Herr Oskar Rose:
Michael
Burrell
MÖbius:
Cyril
Cusack
Nurse Monika Stettler:
Patricia
Connolly
THOMAS STEWART (baritone)
ERNEST LUSH (piano) Brahms
Lied: Lindes Rauschen in den
Wipfeln Dein blaues Auge Nicht mehr zu dir zu gehes
Wolf Nachtzauber
Grenzen der Menschhelt
Der Tambour
Lied eines Verliebten
Nun lass uns Frieden schliessen
. Prometheus
by Fr. WILLIAM PURDY
Professor of Philosophy at the Beda College, Rome
Some recendy published booka dealing with the Second Vatican Council have highlighted in a dramatic way certain stresses within the Roman Church, and in particular the clash between ' conservative ' and ' progressive ' elements. The struggle, it ia argued, centres mainly upon the role of the Roman Curia, its implacable opposition to any kind of change and its apparent bid for power over both Pope and Council.
Is there, in fact, any such thing as ' the Curial mentality '? Father Purdy believes that there is; that it can be accounted for-though not necessarily vindicated -in historical terms; and that it must in future be radically changed. Second broadcast
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