by Gerald Dworkin
Lecturer in Law in the London School of Economics
How far do our courts protect the desire to be left alone? Can a man avoid being exhibited to the public at large? The law is not as clear as it might be.
by HANS KELLER
Mozart's Clarinet Quintet in A major (K.581)
Thea King (clarinet) with the English String Quartet Nona Lidell (violin)
Eleanor St. George (violin) Marjorie Lempfert (viola) Helen Just (cello)
Hans Keller 's wordless method of analysis is designed to show how contrasting themes and movements hang together; this unity of contrasts, * the music behind the music,' is thrown into relief by way of an analytic score that is linked with the complete movements of the work.
Order of Events: First movement-analytic interlude-slow movement-analytic interlude-minuet-analytic interlude-finale, interrupted by analytic episode, ' quasi una cadenza.'
A series on the teaching of mathematics
1: The Problem-Subject by Nathan Isaacs of the National Froebel Foundation
The nature of mathematics poses psychological and philosophical questions.
Mathematics represents in very deed a world apart: but we can bring it back to the centre of our stage if we present it as the problem-subject it is.
See page 10
This talk will be printed in The Listener Discovery or Disillusion: March 13 followed by an interlude at 7.25
Symphony No. S
Heather Harper (soprano) Janet Baker (contralto)
Chorus-Master, Wilhelm Pitz
Philharmonia Orchestra Leader, Hugh Bean
Conductor, Otto KIemperer From the Royal Festival Hall
See page 10
by IVY COMPTON-BURNETT adapted by Christopher Sykes in collaboration with the author
Narration by John Glen
Production by CHRISTOPHER SYKES
(Children's scenes by Patience Collier) : second broadcast
DURING THE INTERVAL (10.5-10.15 app.) A record of the Tatrai Quartet playing the first movement of Mendels sohn 's String Quartet in E minor. Op. 44 No. 2
Ninian's younger children Agnes:
Ninian's younger children Agnes Leah:
Ninian's younger children Agnes Hengist:
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