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: DIE ENTFUHRUNG AUS DEM SERAIL

An opera in three acta
Libretto by Bretzner
Music by MOZART sung in German
Officers, guards and slaves in the Bassa's service, ladies of the harem
GLYNDEBOURNE FESTIVAL CHORUB Chorus-Master. Peter Gellhorn ROYAL PHILHARMONIC ORCHESTRA Leader, Raymond Cohen
Conducted by PETER GELLHORN Producer, Peter Ebert
Head of Music Staff, Jani Strasser
The action takes place on the coast of Turkey
Acr 1: The garden of Bassa Selim 'S country palace
Acr 2: Scene 1: The garden of the palace harem

Contributors

Chorus-Master: Peter Gellhorn
Leader: Raymond Cohen
Conducted By: Peter Gellhorn
Producer: Peter Ebert
Unknown: Jani Strasser
Unknown: Bassa Selim
BELMONTE, a Spanish gentleman (tenor): Heinz Hoppe
CONSTANZE, betrothed to Belmonte (soprano): Mattiwilda Dobbs
BLONDE, her English maid (soprano): Dorit Hanak
PEDRILLO Belmonte's servant (tenor): Duncan Robertson
Osmin, the Bassa's overseer (bass): Michael Langdon
The BASSA SELIM (spoken part): Robert Speaight
KLAAS, a sailor (spoken part): Derick Davies

: HELLAS PRESERVED

by Stuart Atherley
At Troezen in Southern Greece an inscription was found in 1959 which has caused a considerable stir among scholars. It throws new light on the great Persian invasion of Greece in 480 B.C. and may lead to a clearer understanding of the Greek strategy underlying the Battles of Artemisium, Thermopylae and Salamis.
Stuart Atherley seeks to show that the contents of the inscription fit exactly into the already existing evidence. His own reconstruction of this Persian campaign was achieved long before the inscription was discovered, and was based on many years' study of the Persian Wars as well as intensive experience of military campaigning.

Contributors

Unknown: Stuart Atherley

: ORGAN MUSIC

of The Netherlands and North Germany
Variations on Est-ce Mars?
(Sweelincky
Toccata and Fugue In F
(BuxtehudeH played by Flor Peeters at the organ of St. Michael's Church, Zwolle on a gramophone record

Contributors

Played By: Flor Peeters

: THE LONELINESS OF THE LONG-DISTANCE RUNNER

from the short story by ALAN SILLITOE with Barry Foster
Lyrics, adaptation, and production by NESTA PAIN
Music composed and conducted by Antony Hopkins
Friends of the Governor:
Thomas Bowman , Derek Blomfleld Peter Claughton , Arthur Gomez Haydn Jones , Tom Watson t

Contributors

Story By: Alan Sillitoe
Unknown: Barry Foster
Production By: Nesta Pain
Conducted By: Antony Hopkins
Unknown: Thomas Bowman
Unknown: Derek Blomfleld
Unknown: Peter Claughton
Unknown: Arthur Gomez
Unknown: Haydn Jones
Unknown: Tom Watson
Smith: Barry Foster
Governor: Carleton Hobbs
Mike: Nigel Anthony
Policeman: William Eedle
Detective: Eric Shilling
Mrs Smith: Kathleen Helme

: DIE ENTFUHRUNG AUS DEM SERAIL

Acr 2: Scene 2: The garden of the palace ACT 3: Scene 1: Outside Constanze's apartments in the harem
Scene 2: A prison
Scene 3: The Bassa Selim 's court ' Fidelio 'from Glyndebourne July 1

Contributors

Unknown: Bassa Selim

: NEW POETRY

Selections from recently published books of verse by Robert Graves
Lawrence P. Spingarn
Louis MacNeice. Graham Hough John Wain , and W. D. Sriodgrass Arranged and reviewed by Edward Lucie-Smith
Read by William Buck and Gary Watson

Contributors

Unknown: Robert Graves
Unknown: Lawrence P. Spingarn
Unknown: Graham Hough
Unknown: John Wain
Unknown: W. D. Sriodgrass
Reviewed By: Edward Lucie-Smith
Read By: William Buck
Read By: Gary Watson

: RECITAL

Ludwig Hoelscher (cello) Ernest Lush (piano)

Contributors

Cello: Ludwig Hoelscher
Piano: Ernest Lush

: Closedown









About this project

This site contains the BBC listings information which the BBC printed in Radio Times between 1923 and 2009. You can search the site for BBC programmes, people, dates and Radio Times editions.

We hope it helps you find information about that long forgotten BBC programme, research a particular person or browse your own involvement with the BBC.

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There are more than 5 million programme listings in Genome. This is a historical record of the planned output and the BBC services of any given time. It should be viewed in this context and with the understanding that it reflects the attitudes and standards of its time - not those of today.

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