(' Carne Unica ') by Silvio Giovaninetti
Translated and adapted for radio by Henry Reed
The time is the present, and the scene throughout is the public square in a mountain village in northern Italy.
Produced by Peter Watts
Fabio, her son, a lawyer:
Ciancia, her son, a schoolmaster:
Brusco, a farmer:
Cornetta, the local surveyor:
Nando, the innkeeper:
A Detective Inspector:
Aase Nordmo Lovberg
Frederick Stone (piano)
Song-Cycle : Haugtussa
Dot Syng (Allurement); Veslemoy (The mountain maid); Blabaerli (Bilberry slopes); Mete (Meeting); Elsk (Love); Killingdans (Kid-dance); Vond Dag (Evil day); Ved Gjaetlebekken (The mountain brook)
En Svane (A swan)
Lys Nat (Light night)
Langs ei aa (By the riverside)
The first of three programmes
In a series of seven programmes classical scholars and archaeologists examine the light thrown by increased archaeological and linguistic knowledge on the question of how fifth-century Greece developed those features that set it apart from earlier and contemporary civilisations.
1-The Question of Continuity
R. A. CROSSLAND , Professor of Greek in the University of Sheffield, considers the possibility of cultural survivals from the end of Mycenae to the first classical Greek dties.
New Thoughts on the Homeric Epics, by T. B. L. Webster : July 8
T. B. L.
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