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Listings

: RECITAL

Liza Fuchsova and Paul Hamburger (piano duet)

Contributors

Unknown: Liza Fuchsova
Piano: Paul Hamburger

: THE CONTROL OF MILITARY POWER

Four talks on the problems of civil-military relationships as they have developed in the major states of the world: based on papers read last autumn at the Universities of Oxford and London
1 — Soldiers and Governments by Michael Howard
Lecturer in War Studies at King's College, London
A talk on the general problem of civil-military relationships in time of war during the past fifty years.
(The recorded broadcast of Feb. 23)
Next talk, by Norman Gibbs : May 16

Contributors

Unknown: Michael Howard
Talk By: Norman Gibbs

: BEETHOVEN

Sonata in A, Op. 47 played by Gioconda de Vito (violin)
Tito Aprea (piano) on a gramophone record

Contributors

Violin: Gioconda de Vito
Piano: Tito Aprea

: THE RELEVANCE OF THEOLOGICAL LIBERALISM

by the Rev. B. M. G. Reardon
During the past three or four decades the theology of Liberalism usually associated with a group of nineteenth-century German scholars has suffered an almost total eclipse. The speaker argues that the extreme objectivism of Barthian dogmatics needs urgent correction; and that the old liberals were seriously concerned, like the Christian existentialists today, with the problem of communicating the Gospel in a sceptical atmosphere.

Contributors

Unknown: Rev. B. M. G. Reardon

: Tilford Bach Festival CHORAL AND ORCHESTRAL CONCERT

Ilse Wolf (soprano)
Helen Watts (contralto)
Jurgen Hess (violin)
Eileen Croxford (cello)
Hans Vollenweider (organ)
Charles Spinks (harpsichord)
The Alexandra Orchestra
(Leader, Leonard Friedman )
Conductor, Denys Darlow
Part 1

Contributors

Soprano: Ilse Wolf
Contralto: Helen Watts
Violin: Jurgen Hess
Cello: Eileen Croxford
Cello: Hans Vollenweider
Harpsichord: Charles Spinks
Leader: Alexandra Orchestra
Leader: Leonard Friedman
Conductor: Denys Darlow

: Leon Quartermaine reading X and IV of VIRGIL'S ECLOGUES

Gallus; The Golden Age Returns
Translation by E. V. Rieu

Contributors

Translation By: E. V. Rieu

: CONCERT

Part 2
From All Saints' Church.
Tilford, Surrey

: ' THE PALACE OF SUBTERRANEAN FIRE'

Four Arabian tales by William Beckford
2 —'Prince Alasi and Firouz-Firouzkah *
Translation by F. T. Marzials revised and arranged by Rayner Heppenstall with Wilfred Babbage , Felix Felton and Bryan Powley
Produced by Rayner Heppenstall

Contributors

Unknown: William Beckford
Translation By: F. T. Marzials
Arranged By: Rayner Heppenstall
Unknown: Wilfred Babbage
Unknown: Felix Felton
Unknown: Bryan Powley
Produced By: Rayner Heppenstall
Prince Alasi: Robert Eddison
Firouz-Firouzkah: Denise Bryer
Princess Rondabah: Lydia Sherwood
Narrator: Derek Hart

: RECITAL OF PIBROCH MUSIC

by Pipe-Major Robert U. Brown
' Mackintosh's Lament'
(sixteenth century) '
Pibroch is the classical music of the bagpipes. There is an old saying that it takes ' seven years of his own learning and seven generations before' to make a piper: it requires that time at least to make a good pibroch player. The ground of the piece and the movements that follow demand careful practice and preparation; and all pibrochs are performed from memory.

Contributors

Unknown: Major Robert U. Brown

: * WAITING FOR GODOT

A Christian interpretation of Samuel Beckett 's play by Ronald Gray
Lecturer in German in the University of Cambridge
(The recorded broadcast of Jan. 9)

Contributors

Unknown: Samuel Beckett
Play By: Ronald Gray

: REICHA

Wind Quintet in E flat played by Musica da Camera:
Harold Clarke (flute)
Roger Lord (oboe)
Sidney Fell (clarinet)
Archie Camden (bassoon)
Charles Gregory (horn)

Contributors

Flute: Harold Clarke
Oboe: Roger Lord
Clarinet: Sidney Fell
Bassoon: Archie Camden
Horn: Charles Gregory

: Close Down









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This site contains the BBC listings information which the BBC printed in Radio Times between 1923 and 2009. You can search the site for BBC programmes, people, dates and Radio Times editions.

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There are more than 5 million programme listings in Genome. This is a historical record of the planned output and the BBC services of any given time. It should be viewed in this context and with the understanding that it reflects the attitudes and standards of its time - not those of today.

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