Listings
A kind of light-colour stuff ... good to keep you in an afternoon from dice at home In your chambers
by Thomas Middleton and Thomas Dekker
Adapted and produced by R. D. Smith
with music composed by Edward Williams and conducted by Marcus Dods
The Scene: London
Contributors
Author:
Thomas
Middleton
Author:
Thomas
Dekker
Adapted and produced by:
R. D.
Smith
Music composed by:
Edward
Williams
Conducted by:
Marcus
Dods
Chorus:
Edward
Burnham
Neatfoot:
Robin
Bailey
Mary Fltzallard:
Gabrielle
Blunt
Sebastian Wengrave:
Anthony
Viccars
Sir Alexander Wengrave:
Laidman
Browne
Sir Adam Appleton:
John
Gabriel
Laxton:
Ian
Lubbock
Sir Davy Dapper:
Emerton
Court
Goshawk:
Alan
MacNaughtan
Trapdoor:
Malcolm
Hayes
Mistress Openwork:
Marion
Mathie
Mistress Gallipot:
Betty
Linton
Jack Dapper:
Denis
Goacher
Gull:
Jill
Nyasa
Mistress Tiltyard:
Joan
Peart
Openwork:
Derek
Birch
Moll, the Roaring Girl:
Fay
Compton
Gallipot:
George
Hagan
Tiltyard:
Edward
Burnham
Porter:
Brian
Wilde
Tailor:
Derek
Birch
Curtleaxe:
Rupert
Davies
Hanger:
John
Gabriel
Sir Beauteous Ganymede:
John
Burnaby
Lord Noland:
Michael
Ingham
Tearcat:
Leigh
Crutchley
Cutpurse:
Robin
Bailey
Nip:
Brian
Wilde
Servant:
Jill
Nyasa
Sir Guy Fitzallard:
Peter
Neil
An opera in two acts based on the comedy by Alfred de Musset
Libretto by Jean Pierre Grédy
Music by Henri Sauguet
(sung in French)
Royal Philharmonic Orchestra (Leader.Arthur Leavins )
Conducted BY STANFORD ROBINSON
Producer, Jacques Brunius Repetiteur, Thelma Story
Act 1
Contributors
Comedy By:
Alfred
de Musset
Unknown:
Jean Pierre
Grédy
Music By:
Henri
Sauguet
Leader:
Arthur
Leavins
Conducted By:
Stanford
Robinson
Producer:
Jacques
Brunius
Repetiteur:
Thelma
Story
Claudio the Magistrate of Naples:
Dennis
Noble
Marianne, his young wife:
Mady
Mesplé
Tibia, his servant:
John
Kentish
The Duenna:
Georges
Abdoun
Coelio, an admirer of Marianne:
Michel
Sénéchal
Hermia, his mother:
Janet
Howe
Octave, Claudio's cousin and friend of Coelio:
Camille
Maurane
The Serenader:
Alexander
Young
The Innkeeper:
Lloyd
Strauss-Smith
Three talks by Robert Baldick , D.Phil.
Lecturer in Modern Languages at University and Pembroke Colleges,
Oxford
I-The Ailing Heroes
In the first of his three talks on pessimism in nineteenth-century French literature Dr. Baldick deals with the early, romantic phase of the malady.
Contributors
Unknown:
Robert
Baldick
by Geoffrey Barracloiigh
Professor of Medieval History In the University of Liverpool
Professor Barraclough, who has recently been reading Sir Maurice Powicke 's Modern Historians and the Study of History, comments on what Sir Maurice has called the malaise which oppresses the thoughtful study of history today.
Contributors
Unknown:
Geoffrey
Barracloiigh
Unknown:
Sir Maurice
Powicke
John Wain introduces a programme of readings from recently published volumes of poetry
Readers: Joan Hart
Martin Starkie , Duncan Mclntyre
Contributors
Introduces:
John
Wain
Readers:
Joan
Hart
Readers:
Martin
Starkie
Unknown:
Duncan
McLntyre
Three programmes explaining as simply as possible modern systems of composition
1—Schoenberg and Twelve-note Music by Humphrey Searle
Illustrations include Humphrey Searle 's Passacaglietta in nomine Arnold Schoenberg' and part of Schoenberg's Quartet No. 3, played by the Hirsch String Quartet and on gramophone records
Contributors
Music By:
Humphrey
Searle
Unknown:
Humphrey
Searle
by Sir Francis Simon , C.B.E., f.r.s.
Professor of Thermodynamics in the University of Oxford
Sir Francis Simon discusses the rapid advance of Soviet science and technology and argues that this new strength is a vital factor in determining present Soviet policy. He emphasises the critical importance of scientific and technological manpower and the need for a drastic change in Britain's attitude to science.
Contributors
Unknown:
Sir Francis
Simon
Unknown:
Sir Francis
Simon
Marjorie Thomas (contralto)
Wilfred Brown (tenor)
Richard Standen (bass)
The Cantata Singers
Gareth Morris (flute)
Emanuel Hurwitz (violin)
George Malcolm
(harpsichord and organ)
The Jacques Orchestra (Leader. Emanuel Hurwitz )
Conductor, Reginald Jacques
Church Cantata No. 82: Ich habe genug
Concerto in A minor, for flute, violin, harpsichord, and string orchestra (S.1044)
Church Cantata No. 67: Halt lm
Gedachtnis Jesum Christ
Contributors
Contralto:
Marjorie
Thomas
Tenor:
Wilfred
Brown
Bass:
Richard
Standen
Flute:
Gareth
Morris
Violin:
Emanuel
Hurwitz
Harpsichord:
George
Malcolm
Leader:
Emanuel
Hurwitz
Conductor:
Reginald
Jacques
Unknown:
Gedachtnis Jesum
Christ
by Stuart Piggott , F.B.A.
Professor of Prehistoric Archaeology in the University of Edinburgh
Stuart Piggott recently returned from Central Turkey, where he studied thirteen little-known prehistoric ' royal tombs' lying to the north-east of Ankara.
(The recorded broadcast of Nov. 1)
Contributors
Unknown:
Stuart
Piggott
The Wigmore Ensemble:
Geoffrey Gilbert (flute)
Terence MacDonagh (oboe)
Jean Pougnet (violin) Thomas Carter (violin) Frederick Riddle (viola)
Anthony Pini (cello)
Eugene Cruft (double-bass)
Maria Korchinska (harp)
George Malcolm (harpsichord)
Contributors
Flute:
Geoffrey
Gilbert
Oboe:
Terence
MacDonagh
Violin:
Jean
Pougnet
Violin:
Thomas
Carter
Viola:
Frederick
Riddle
Cello:
Anthony
Pini
Double-Bass:
Eugene
Cruft
Harp:
Maria
Korchinska
Harpsichord:
George
Malcolm