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Listings

: Music for Two Pianos

Played by Joan Trimble and Valerie Trimble
Sonata...Arnold Cooke
Sonata...Stravinsky
(BBC recording)
Arnold Cooke's Sonata (1937) is dedicated to Adolph Hallis and Franz Reizenstein.
The first movement begins Andante and leads to a vigorous Allegro; the second movement, Larghetto, has a graceful middle section in nine-eight time; the greater part of the finale, Molto vivace, is in the style of a Tarantella.
The Sonata by Stravinsky, written in 1943-44, has a smooth-flowing opening movement (Moderato), followed by a Theme (Largo), with four Variations, leading to a short Allegretto for finale.
(H.R.)

Contributors

Pianist: Joan Trimble
Pianist: Valerie Trimble

: THE LENINIST FOUNDATIONS

Max Beloff reviews Soviet Russia and the World, the third volume of The Bolshevik Revolution, 1917-1923, by E. H Carr
(The recorded broadcast of April 24)

Contributors

Unknown: Max Beloff
Unknown: E. H Carr

: HAYDN

Quartet In D, Op. 20 No. 4 Quartet in C. Op. 54 No. played by the Element String Quartet:
Ernest Element (violin)
Sylvia Cleaver (violin.)
Dorothy Hemming (viola)
Norman Jones (cello)

Contributors

Violin: Sylvia Cleaver
Viola: Dorothy Hemming
Cello: Norman Jones

: "TIS PITY SHE'S A WHORE'

by John Ford
Adapted and produced by Martyn C. Webster
(Continued in next column)
Incidental music composed and conducted by John Hotchkis
'Tis pity indeed that John Ford 's most celebrated and most powerful play should be so handicapped by its unnecessarily ugly and completely ridiculous title. Completely ridiculous because it is a completely false description of Annabella, who is not deliberately and certa n!y not professionally immoral. She and her brother Giovanni are 'rapid falcons in a snare,' an ill-starred boy and girl caught in one of nature's most insidious traps When they are not blinded by rheir passion they see the nature of rheir sin with hideous clearness. They are pitiful in their remorse, and their end is high tragedy. Indeed, the whole play is cast in a mould of high tragedy.
S. W.

Contributors

Produced By: Martyn C. Webster
Conducted By: John Hotchkis
Unknown: John Ford
Friar Bonaventura Leon Quartermaine Giovanni, son to Florio: David Peel
Grimaldi, a Roman gentleman: Eric Berry
Vasques, a servant to Soranzo: Malcolm Hayes
Florio, a citizen of Parma: John Wyse
Soranzo, a nobleman: Robert Rietty
Putana, tutress to Annabella: Barbara Couper
Annabella, daughter to Florio: Denise Bryer
Bergetto, nephew to Donado: Max Adrian
Poggio, servant to Bergetto: Kenneth Connor
Donado, another citizen: Alan Wheatley
Richardetto, a supposed physician: Robert Harris
Philotis, his niece: Ruth Trouncer
Hippolita, his wife: Barbara Lott
A Cardinal, nuncio to the Pope: Heron Carvic

: BBC SCOTTISH ORCHESTRA

(Leader, J. Mou. land Begbie)
Conductor, Ian Whyte

Contributors

Leader: J. Mou.
Conductor: Ian Whyte

: THE BEHAVIOUR OF BADGERS

Talk by Ernest G. Neal
For many years Ernest Neal has beea studying badgers In this talk he draws on his observations to give an interpretation of their behaviour.
(The recorded broadcast of Aug. 5)

Contributors

Talk By: Ernest G. Neal
Unknown: Ernest Neal

: HANS LEO HASSLER

Susi Jeans (organ)
The Dorian Singers
Conductor, Matyas Seiber
Organ: Toccata of the second time
Camon of the fifth tone
Sacra concent us:
Exultate Deo; 0 ssacrum conivivium: Cantate Domino; Ad Dominium cum tribularer
Organ: Ricercar of the aecond tone

Contributors

Conductor: Matyas Seiber

: Close Down









About this project

This site contains the BBC listings information which the BBC printed in Radio Times between 1923 and 2009. You can search the site for BBC programmes, people, dates and Radio Times editions.

We hope it helps you find information about that long forgotten BBC programme, research a particular person or browse your own involvement with the BBC.

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There are more than 5 million programme listings in Genome. This is a historical record of the planned output and the BBC services of any given time. It should be viewed in this context and with the understanding that it reflects the attitudes and standards of its time - not those of today.

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