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Listings

: LOTTE LEHMANN

(soprano) with Paul Ulanowsky (piano)
0, Ihr Herren ; Standchen (Schumann)
Für Musik: Standchen: Gute Nacht;
Weisst du noch; Dies und das (Robert Franz ) on gramophone records
Extracts from Lotte Lehmann 's farewell recital m Town Hall, New York, on February 16, 1951

Contributors

Piano: Paul Ulanowsky
Piano: Ihr Herren
Unknown: Robert Franz
Unknown: Lotte Lehmann

: THE IDEA OF THE CREATION OF THE WORLD

A talk by Karl Jaspers , Professor of Philosophy at Baste University, read bv T. S. Gregory in Michael Hamburger 's English translation
(The recorded broadcast of June 21) A recording of the talk given by Karl Jaspers in German: tomorrow at 6.0

Contributors

Talk By: Karl Jaspers
Unknown: T. S. Gregory
Unknown: Michael Hamburger
Unknown: Karl Jaspers

: DEBUSSY

Twelve Studies (Books 1 and 2) Pour les cinq doigts; Pour les tierces; Pour les quartes; Pour les sixtes; Pour les octaves; Pour les huit doigts
Pour les degrés chromatiques; Pour les agréments; Pour les notes repStees; Pour les sonorités opposées; Pour les arpeges composes; Pour les accords played by Marie-Thérèse Fourneau (piano)

: The Exploration of Space by Radio

Talk by A.C.B. Lovell, Professor of Radio Astronomy in the University of Manchester.
At the Jodrell Bank Experimental Station of the University of Manchester the construction of the giant radio telescope has begun. In this talk Professor Lovell explains why this instrument is being built and how it will be used to produce a new map of the heavens.

Contributors

Speaker: Professor A.C.B. (Bernard) Lovell

: ' THE FAERIE QUEENE'

by Edmund Spenser
Programme 5
' Timias and Belphoebe; The Gardens of Adonis'
(Being Cantos 5 and 6 of Book 3)
Produced by Louis MacNeice

Contributors

Produced By: Louis MacNeice
Narrators: Mary O'Farrell,
Narrators: Carleton Hobbs
Narrators: Robert Irwin
Prince Arthur: Valentine Dyall
Timias: Allan McClelland
Belphoebe: Julia Lang
Venus: Grizelda Hervey

: MOZART and KODALY

Carmel Hakendorf (violin)
Suzanne Danco (soprano)
Nancy Thomas (mezzo-soprano)
Alexander Young (tenor)
Richard Standen (bass)
BBC Chorus
(Chorus-Master, Leslie Woddgate )
Charles Spinks (organ)
Royal Philharmonic Orchestra (Leader, David McCallum )
Conducted by Trevor Harvey
Part 1
This is the first of a series of concerts including litanies and vespers by Mozart.

Contributors

Violin: Carmel Hakendorf
Soprano: Suzanne Danco
Mezzo-Soprano: Nancy Thomas
Tenor: Alexander Young
Bass: Richard Standen
Chorus-Master: Leslie Woddgate
Chorus-Master: Charles Spinks
Leader: David McCallum
Conducted By: Trevor Harvey

: THE ORIGINS OF FASCISM

A reconsideration of certain trends and personalities in modern Italian history by Denis Mack Smith
Tutor of Peterhouse, Cambridge
Tomorrow, October 28, is the thirtieth anniversary of Mussolini's March on Rome and the date usually taken to mark the victory of Fascism in Italy. In this talk Denis Mack Smith considers whether Fascism was not a development out of the past history of Italy as well as a reaction against it.

Contributors

Unknown: Denis MacK Smith
Unknown: Denis MacK Smith

: MOZART and KODALY

(Concert continued)

: SEA BIRDS

A sound-picture recorded and introduced by Ludwig Koch
Landing at a breeding place; Auks; Puffins; Gannet colony: Arctic birds: Fulmar petrel; Seagulls attacking a cormorant's nest; Manx shearwaters in burrows, and in flight
Produced, by David Thomson

Contributors

Introduced By: Ludwig Koch
Produced By: David Thomson

: CHAMBER MUSIC

Wilfred Brown (tenor)
The Basil Lam Sonata Ensemble:
Patrick Hailing (violin) Marjorie Lavers (violin)
Terence Weil (cello)
Basil Lam (harpsichord)

Contributors

Tenor: Wilfred Brown
Violin: Marjorie Lavers
Cello: Terence Weil

: Close Down









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This site contains the BBC listings information which the BBC printed in Radio Times between 1923 and 2009. You can search the site for BBC programmes, people, dates and Radio Times editions.

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There are more than 5 million programme listings in Genome. This is a historical record of the planned output and the BBC services of any given time. It should be viewed in this context and with the understanding that it reflects the attitudes and standards of its time - not those of today.

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