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Karin Monk (soprano) Bruce Boyce (baritone)
Ernest Lush (accompanist)
Lionel Bowman (piano)
Det forste mode
Jeg giver mit digt til varen Dulgt kjaerlighed
Eingehtillt in grauen Wolken Ich stand in dunkeln Traumen
Melody, Op. 38 No. 3
Waltz-Impromptu. Op. 47 No. 1 Melody, Op. 47 No. 3
Gjaetergut, Op. 54 No. 1 Songs:
Liden Kirsten
Fra Monte Pincio Der Jager
Second in a series of programmes of music by Grieg


Soprano: Karin Monk
Baritone: Bruce Boyce
Accompanist: Ernest Lush
Piano: Lionel Bowman


A monthly review of current questions in architecture and town planning
Architecture in the New Warsaw
Talk by Max Lock ,
F.R.I.B.A., M.T.P.I.
Last month Gracme Shankland spoke about the Warsaw reconstruction plan. M«x Lock, who with Graeme Shankland was one of rhe group of architects and planners who recently visited Poland, gives his impressions of the architecture of the new Warsaw, and of those who are building it.


Talk By: Max Lock
Unknown: Gracme Shankland


Symphony No. 31, in D
Eilidh McNab (soprano) Janet Fraser (contralto) Alexander Young (tenor)
George James (bass)
Martindale Sidwell (organ)
London Chamber Singers
London Chamber Orchestra
(Leader, Andrew Cooper )
Conductor, Anthony Bernard


Soprano: Eilidh McNab
Contralto: Janet Fraser
Tenor: Alexander Young
Bass: George James
Unknown: Martindale Sidwell
Leader: Andrew Cooper
Conductor: Anthony Bernard


Sir George Sansom reviews a recent book by C. P. FitzGerald


Unknown: Sir George Sansom
Book By: C. P. Fitzgerald


by William Shakespeare
Arranged by M. R. Ridley with John Barnard
Tom Clarkson. Harry Hearne
William Hutchison , Martin Lewis
Williams Lloyd , Ian Main
Eddy Reted , Godfrey Tudor
Fanfares and incidental music composed by Antony Hopkins
Produced by Peter Watts
D-ring the interval (9.40-9.50 app.):
Peter Philips
Pavana Dolorosa: Galliarda Dolorosa played by Thurston Dart (harpsichord) on gramophone records


Unknown: William Shakespeare
Arranged By: M. R. Ridley
Unknown: John Barnard
Unknown: Tom Clarkson.
Unknown: Harry Hearne
Unknown: William Hutchison
Unknown: Martin Lewis
Unknown: Williams Lloyd
Unknown: Ian Main
Unknown: Eddy Reted
Unknown: Godfrey Tudor
Composed By: Antony Hopkins
Produced By: Peter Watts
Unknown: Peter Philips
Harpsichord: Thurston Dart
King Henry IV: Leon Quartermaine
Henry, Prince of Wales (Prince Hal): Sebastian Shaw
John of Lancaster, his brother: John Clarke-Smith
The Earl of Westmoreland: Peter Creswell
Thomas Percy, Earl of Worcester: Stanley van Beers
Henry Percy, Earl of Northumberland: Laidman Browne
Henry Percy (surnamed Hotspur), his son: Francis de Wolff
Edmund Mortimer, Earl of March: David Read
Archibald, Earl of Douglas: Duncan McLntyre
Owen Glendower: Lyn Harding-
Sir John Falstaff: Frederick Lloyd
Poins: Hugh Falkus
Gadshill: Ivan Staff
Peto: Anthony Oliver
Bardolph: David Duncan
Lady Percy, wife to Hotspur: Nicolette Bernard
Lady Mortimer: Ceinwen Rowlands
Mistress Quickly: Vivienne Chatterton
Narrator: Duncan Carse


Wigmore Ensemble:
Geoffrey Gilbert (flute)
Maurice Clare (violin)
Frederick Riddle (viola)
William Pleeth (cello)
Marie Korchinska (harp)


Flute: Geoffrey Gilbert
Violin: Maurice Clare
Viola: Frederick Riddle
Cello: William Pleeth
Harp: Marie Korchinska


Second of three talks by Geoffrey Grigson , who visited the U.S.A. a few months ago


Unknown: Geoffrey Grigson

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About this project

This site contains the BBC listings information which the BBC printed in Radio Times between 1923 and 2009. You can search the site for BBC programmes, people, dates and Radio Times editions.

We hope it helps you find information about that long forgotten BBC programme, research a particular person or browse your own involvement with the BBC.

Through the listings, you will also be able to use the Genome search function to find thousands of radio and TV programmes that are already available to view or listen to on the BBC website.

There are more than 5 million programme listings in Genome. This is a historical record of the planned output and the BBC services of any given time. It should be viewed in this context and with the understanding that it reflects the attitudes and standards of its time - not those of today.

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