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11th. and 12th-century Organa
The Ambrosian Singers
Desmond Dupre (tenor viol) Robert Donington (bass viol)
Kyrie . Rex immense
Viderunt Emanuel Patris unigenitum Per letalis poml pastum
Agnus Dei qui pius es factus Verbum Patris humanatur Verbum bonum et suave
Introduced by Dom Anselm Hughes , O.S.B.
The apparent northward trend of French music in the eleventh and twelfth centuries was by no means restricted to secular monody. Early organa, like the melodies of the troubadpurs, developed and flourished in the encouraging atmosphere of Provence long before the centre of interest shifted to Paris. It was in the Abbey of St. Martial at Limoges that some of the most effective experiments in harmonised plainsong were first heard and appreciated, and thanks to a young English student's lecture-notes (preserved to this day in the British Museum) an excellent account of the correct manner of performance is available. This programme shows how the transition from unmeasured to measured music was brought about by the acceptance of an essent ally harmonic style, and how the rhythmical modes were formed and crystallised. D.S.


Tenor: Desmond Dupre
Bass: Robert Donington
Unknown: Kyrie Rex
Unknown: Viderunt Emanuel Patris
Unknown: Agnus Dei
Unknown: Verbum Patris
Introduced By: Dom Anselm Hughes

: Mary Ellis and Leon Quartermaine in 'SATURDAY NIGHT'

by Jacinto Benavente
Translated from the Spanish by John Garrett Underhill
Adapted for broadcasting by Derek Patmore and Helena Wood
Production by Archie Campbell
Members of a dance troupe:
Friends of Donina: with Aubrey Richards , Frank Coburn


Unknown: Jacinto Benavente
Unknown: John Garrett Underhill
Broadcasting By: Derek Patmore
Unknown: Helena Wood
Production By: Archie Campbell
Unknown: Aubrey Richards
Unknown: Frank Coburn
The Lector: Derek Hart
Imperia, a courtesan: Mary Ellis
Leonardo, a sculptor: Leon Quartermaine
Countess Rinaldi, his confidante: Joan Sanderson
Princess Etelvina: Dorothy Black
Prince Florencio, her son: John Fabian
Harry Lucenti: Kenneth Hyde
Prince Michael Alexander, uncle to Florencio: Donald Gray
Donina: Sulwen Morgan
Rosina: Sarah Leigh
Pepita: Audrey Mendes
Nunu: Robert Rietty
Tommy: James Beattie
The Signore: Aubrey Dexter
Mr Jacob, proprietor of a music-hall and circus: Leonard Sachs
Majesta an old woman: Lola Duncan
Ruhu Sahib: Malcolm Hayes


Hallé Orchestra
(Leader, Laurance Turner )
Conducted by Rafael Kubelik
followed by an Interlude at 9.20


Leader: Laurance Turner
Conducted By: Rafael Kubelik


for Whit Sunday by the Rev. G. W. H. Lampe , M.c.
Fellow and Chaplain of St. John's College. Oxford


Unknown: Rev. G. W. H. Lampe


Sonata in G. Op. 79 Sonata in F, Op. 64
Sonata in E flat, Op. 31 No. 3 played by Claudio Arrau (piano)
Fifth of sixteen recitals during which Claudio Arrau is playing all Beet hoven 's piano sonatas and the Diabelli Variations.


Piano: Claudio Arrau
Unknown: Claudio Arrau
Unknown: Beet Hoven


by Lucian Freud with an introduction by Nanos Valaoritis
Nanos Valaoritis , a young poet who haa known Lucian Freud 's work for a considerable time, talks about its particular qualities. Lucian Freud who has lately concentrated on painting portraits, then defines his attitude towards his subject matter and towards the activity of painting as such.
An exhibition of his pictures is now on view in London at the Hanover Gallery.
followed by an Interlude at 10.50


Unknown: Lucian Freud
Unknown: Nanos Valaoritis
Unknown: Nanos Valaoritis
Unknown: Lucian Freud
Unknown: Lucian Freud


by Valverde, Granados, Turina, and Falla: Victoria de los Angeles (soprano), with Gerald Moore (piano) on gramophone records


Piano: Gerald Moore


Reminiscences by Gordon Craig
Other talks by Gordon Craig : June 14 and 27


Unknown: Gordon Craig
Unknown: Gordon Craig

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