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Listings

: BACH

Toccata. Adagio, and Fugue
Chorale Prelude: Liebster Jesu , wlr sind hier
Prelude and Fugue in A minor plaved by Harold Darke (organ)
From St. Michael's, Cornhill, London

Contributors

Unknown: Liebster Jesu
Unknown: Harold Darke

: The Reith Lectures POWER AND THE STATE

by Lord Radcliffe of Werneth,
P.C., G.B.E.
3 — On the development of such ideas as the Social Contract and the right to life, liberty, and property What is the purpose of the State? What is the basis of its power? Can men be said to have natural rights? These problems have appeared differently to different thinkers and at different periods of history. In this lecture Lord Radcliffe considers them as they appeared to John Locke.
Next lecture: Wednesday at 6.15

Contributors

Unknown: John Locke.

: ' CHOPIN

Twenty-four Preludes, Op. 28 played by Nina Milkina (piano)

Contributors

Played By: Nina Milkina

: REPORT ON ALBANIA

by Francis Noel-Baker
Some months ago the speaker spent five weeks travelling round the Albanian frontiers and visiting other places in Europe where information could be found about Russia's most isolated satellite.

Contributors

Unknown: Francis Noel-Baker

: 'WHO WOULD NOT WEEP?'

The friendship and estrangement of Alexander Pope and Joseph Addison , recounted by Michael Swan
Programme produced by Terence Tiller with Hugh Falkus , Antony Kearey
Hugh Munro , Arthur Ridley

Contributors

Unknown: Alexander Pope
Unknown: Joseph Addison
Unknown: Michael Swan
Produced By: Terence Tiller
Unknown: Hugh Falkus
Unknown: Antony Kearey
Unknown: Hugh Munro
Unknown: Arthur Ridley
Pope: Martin Starkie
Addison >: Oliver Burt
Narrator: James McKechnie

: ORCHESTRAL CONCERT

Patricia Neway (soprano)
Philharmonia Orchestra
(Leader, Max Salpeter )
Conducted by Walter Goehr
See also Thursday at 6.0 and Saturday at 8.0
The monodrama Erwartung (' Awaiting ' is perhaps the best translation), to a text by Marie Pappenheim , was written in the short space of seventeen day (August 27 to September 12, 1909). Scored for soprano and orchestra, it shows a woman waiting in a gloomy wood for her lover who does not come; at last she comes upon his dead body and knows that another has taken him from her. The music, which is a veritable treasure-house of new and imaginative orchestral sounds, had a profound effect on Schoenberg's pupil Alban Berg , particularly in his Wozzeck.
Humphrey Searle

Contributors

Soprano: Patricia Neway
Leader: Philharmonia Orchestra
Leader: Max Salpeter
Conducted By: Walter Goehr
Unknown: Marie Pappenheim
Unknown: Alban Berg
Unknown: Humphrey Searle

: A society under the name and title of THE ROYAL ACADEMY OF ARTS IN LONDON

Talk by Sir Gerald Kelly , P.R.A.

Contributors

Talk By: Sir Gerald Kelly

: CHAMBER MUSIC

of the 17th and 18th centuries
Jean Pougnet (violin)
James Whitehead (viola da gamba)
Clifton Helliwell (harpsichord)

Contributors

Violin: Jean Pougnet
Viola: James Whitehead
Harpsichord: Clifton Helliwell

: THE AMERICAN POET

Alex Comfort introduces readings from Anne Bradstreet John Greenleaf Whittier Walt Whitman , Wallace Stevens. John Crowe Ransom and Robinson Jeffers. All these poets are represented in the new Oxford Book of American Verse
Reader, Guy Kingsley Poynter

Contributors

Introduces: Alex Comfort
Unknown: Anne Bradstreet
Unknown: John Greenleaf Whittier
Unknown: Walt Whitman
Unknown: Wallace Stevens.
Unknown: John Crowe Ransom
Unknown: Robinson Jeffers.
Reader: Guy Kingsley Poynter

: SUK

Four Pieces, Op. 17:
Quasi ballata; Appassionata;
Un poco triste: Burleska played by Ginette Neveu (violin) with Jean Neveu (piano) on gramophone recorda

Contributors

Played By: Ginette Neveu
Piano: Jean Neveu

: Close Down









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