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Listings

: JOHN IRELAND

Trio in E played by the Harry Isaacs Trio:
Leonard Hirsch (violin) James Whitehead (cello)
Harry Isaacs (piano)

Contributors

Unknown: Harry Isaacs
Violin: Leonard Hirsch
Cello: James Whitehead
Piano: Harry Isaacs

: THE D. H. LAWRENCE MYTHS A Literary Battle of the Twenties

by Stephen Potter
Production by W. P. Rilla

Contributors

Unknown: Stephen Potter
Production By: W. P. Rilla

: Edinburgh International Festival

A performance In Italian by the Glyndeboume Opera of « UN BALLO
IN MASCHERA'
(' A Masked Ball') Opera in three acts by Verdi
Libretto by Somma (after Scribe)
(Continued in next column)
Glyndebourne Festival Chorus
Royal Philharmonic Orchestra
(Leader, David McCallum )
Conducted by Hans Oppenheim
Artistic director and producer
Carl Ebert
From the King's Theatre. Edinburgh Scene: A seventeenth-century Court
7.0 Act 1
Scene 1: A reception room in the Palace
Scene 2: A corner of the harbour
7.50 Interval
8.5 Act 2
Scene 1: The Gallows Hill. Midnight Scene 2: A room in Renato's house
9.10 Interval
9.25 Act 3
Scene 1: The Prince's study Scene 2: The ballroom
Introductions to the scenes have been recorded by Philip Hope-Wallace

Contributors

Leader: David McCallum
Conducted By: Hans Oppenheim
Unknown: Carl Ebert
Unknown: Philip Hope-Wallace
Riccardo, the Prince: Mirto Picchi
Renato his minister and friend: Paolo Silveri
Amelia, Renato's wife: Ljuba Welitsch
Ulrica, a gypsy: Jean Watson
Oscar, a page to the Prince: Alda Noni
Silvano, a sailor in the Prince's Fleet: Francis Loring
Conspirators against the Prince:Samuelo: Ian Wallace
Conspirators against the Prince:Tommaso: Hervey Alan
The Judge: George Israel

: THACKERAY AND HIS MOTHER

Talk by Professor J. Y. T. Greig
Professor Greig maintains that Thackeray's great powers as a novelist were spoiled by the extent to which his private life dictated to him as he wrote; that his literary judgment was constantly distorted by his personal experiences and relationships with other people. Professor Greig thinks that Thackeray's mother was the most lasting and powerful of these influences.

: A History in Sound of European Music: 41: Late Baroque Keyboard Music

Contributors

General Editor: Gerald Abraham
Editor: Philip Radcliffe
Harpsichord and clavichord: Thurston Dart
Introduced by: Alec Robertson

: TENNYSON

'The Lotos-Eaters' and ' Ulysses '
Read by Sir Ralph Richardson
Production by Frank Hauser

Contributors

Read By: Sir Ralph Richardson
Production By: Frank Hauser

: BEETHOVEN

Piano Sonata in G, Op. 49 No. 2
Piano Sonata in E flat, Op. 31 No. 3 played by Phyllis Sellick

Contributors

Played By: Phyllis Sellick








About this project

This site contains the BBC listings information which the BBC printed in Radio Times between 1923 and 2009. You can search the site for BBC programmes, people, dates and Radio Times editions.

We hope it helps you find information about that long forgotten BBC programme, research a particular person or browse your own involvement with the BBC.

Through the listings, you will also be able to use the Genome search function to find thousands of radio and TV programmes that are already available to view or listen to on the BBC website.

There are more than 5 million programme listings in Genome. This is a historical record of the planned output and the BBC services of any given time. It should be viewed in this context and with the understanding that it reflects the attitudes and standards of its time - not those of today.

Welcome to BBC Genome

Genome is a digitised version of the Radio Times from 1923 to 2009 and is made available for internal research purposes only. You will need to obtain the relevant third party permissions for any use, including use in programmes, online etc.

This internal version of Genome, which includes all the magazine covers, images and articles as well as the programme listings from the Radio Times, is different to the version of BBC Genome that is available externally/to the public. It is only available inside the BBC network.

Your use of this version of Genome is covered by the BBC Acceptable Use of Information Systems Policy and these terms.

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