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Symphony No. 10 in F sharp
UNFINISHED
The comprehensive five-movement sketch, representing Mahler's fairly complete first conception, rendered for the first time into full score and introduced by DERYCK COOKE
Philharmonic Orchestra
Leader. Hugh Bean
Conducted by Berthold Goldschmidt
1: ADAGIO
Complete: fully composed and almost fully scored by Mahler
2: SCHERZO I
Four extracts, comprising the main thematic groups and cornerstones of the movement, almost fully composed and scored by Mahler
3: PURGATORIO
Full-length sketch: almost fully composed, and one page fully scored by Mahler; the remainder realised from the four-stave score with its detailed indications of instrumentation
4: SCHERZO II
Three extracts, comprising the main sections-beginning, middle, and end--of the movement; orchestrated from the texturally incomplete sketch, with its few indications of instrumentation
5: FINALE
Full-length sketch: almost fully composed by Mahler; the four-stave score conjecturally realised as a full score

Contributors

Introduced By:
Deryck Cooke
Leader:
Hugh Bean
Conducted By:
Berthold Goldschmidt

A series of talks commenting on current legal issues
DIMINISHED RESPONSIBILITY by Rupert Cross Fellow of Magdalen College, Oxford
A discussion of the new defence to a murder charge introduced by the Homicide Act 1957.

by IONA and PETER OPIE
Four programmes showing how present-day children unwittingly keep alive the language, humour, customs, and superstitions of previous centuries.
4: CHILDREN'S BELIEFS
Recordings from different parts of England and Wales collected by Stewart Wavell Iona and Peter Ople Father Damian Webb Sasha Moorsom
Narrated by Peter Ople
Produced by Sasha Moorsorn

Contributors

Unknown:
Peter Opie
Unknown:
Stewart Wavell Iona
Unknown:
Peter Ople
Unknown:
Father Damian Webb
Unknown:
Sasha Moorsom
Unknown:
Peter Ople
Produced By:
Sasha Moorsorn

Third Programme

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About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More