Programme Index

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by Henry Reed
Produced by Douglas Cleverdon
(Continued in next column)
Music composed by Anthony Smith-Masters conducted by Patrick Savill with Sidney Fell (clarinet)
(The recorded broadcast of April 22)

Contributors

Unknown:
Henry Reed
Produced By:
Douglas Cleverdon
Composed By:
Anthony Smith-Masters
Conducted By:
Patrick Savill
Clarinet:
Sidney Fell
The Sibyl of Cumae:
Flora Robson
The Traveller:
Marius Goring
Attilio:
Robert Rietty
Francesca:
Gwen Cherrell
Lucius, a merchant:
Neville Hartley
Flavia, his wife:
Thea Wells
Lucretia, his daughter:
Molly Lawson
An Old Man:
Ernest Jay
Judy:
Charlotte Mitchell
Margery:
Denise Bryer
Walter:
Michael Meacham
Bill:
Derek Hart
The Guide:
Frank Duncan
MacBride:
James McKechnie
MacFarlane:
Duncan McLntyre
Silent Old Gentleman:
Ronald Simpson
Silent Old Lady:
Susan Richmond
The Lizard:
Carleton Hobbs

Prepared for performance by Leonard Isaacs played by the London Harpsichord Ensemble: John Francis (flute and bass flute)
Joy Boughton (oboe and cor anglais)
Peter Graeme (oboe d'amore)
Edward Wilson (bassoon)
Peter Parry (bassoon) Peter Mountain (violin) Albert Chasey (violin) Bernard Davis (viola)
Ambrose Gauntlett (cello)
Derek Simpson (cello)
Adrian Beers (double-bass)
Millicent Silver (harpsichord)
PART 1
This version of The Art of Fugue was prepared for the London Harpsichord Ensemble, who played it at the Edinburgh Festival in 1950. The various fugues and canons are scored for different combinations of instruments; the fourteenth fugue it omitted, as Bach left it unfinished.

Contributors

Unknown:
Leonard Isaacs
Flute:
John Francis
Oboe:
Joy Boughton
Oboe:
Peter Graeme
Bassoon:
Edward Wilson
Bassoon:
Peter Parry
Violin:
Peter Mountain
Violin:
Albert Chasey
Viola:
Bernard Davis
Cello:
Ambrose Gauntlett
Cello:
Derek Simpson
Double-Bass:
Adrian Beers
Harpsichord:
Millicent Silver

Third Programme

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More