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Romanzen aus Tiecks " Magelone *
Mack Harrell (baritone)
Gerald Gover (piano)
Abvar Lideli (narrator)
Part 1
Keinen hat es noch gereut; Traun! Bogen und Pfeil sind gut fur den Feind: sind es Schmerzen, sind es Freuden; Lie-be kam aus fernen Landen: So willst du des Armen: Wie soil ich die Freude, die Wonne den tragen; War es dir. dem diese Lippen bebten; Wir müssen uns trennen

Contributors

Baritone:
MacK Harrell
Piano:
Gerald Gover
Narrator:
Abvar Lideli

Pro Musica Antiqua Ensemble :
Maria Ceuppens (soprano)
Jeanne Deroubaix (contralto)
Louis Devos (tenor)
Franz Mertens (tenor) Franz Clement (bass)
Suzanne Bouquette (minstrel's harp)
Rachel van Heeke (treble viol)
Jean Christoph van Hecke
(tenor viol)
Arthur Dirkx (tenor viol)
Michel Podolski (lute)
Henri Beugnier (recorders) Director, Safford Cape

Contributors

Soprano:
Maria Ceuppens
Contralto:
Jeanne Deroubaix
Tenor:
Louis Devos
Tenor:
Franz Mertens
Bass:
Franz Clement
Bass:
Suzanne Bouquette
Harp:
Rachel van Heeke
Tenor:
Jean Christoph van Hecke
Tenor:
Arthur Dirkx
Unknown:
Michel Podolski
Unknown:
Henri Beugnier
Unknown:
Safford Cape

by Sir Geoffrey Jefferson , F.R.S.,
Professor of Neuro-Surgery in the University of Manchester
Descartes held that the human soul had its seat in the pineal gland. In this broadcast version of his Purser Lecture (originally delivered at Trinity College, Dublin, in May last year) Professor Jefferson explains why Descartes thought it possible to localise the soul at all and why he chose the pineal gland.

Contributors

Unknown:
Sir Geoffrey Jefferson , F.R.S.,

Joan Barker (piano)
Gerairit Jones (organ)
The Boyd Neel Orchestra
(Leader, Maurice Clare )
Conductor, Boyd Neel
Overture in B flat
Concerto in G minor, for piano and orchestra
Symphony No. 4. in F
Concerto in C, tor organ and orchestra Second of a series of programmes of music by Arne

Contributors

Piano:
Joan Barker
Piano:
Gerairit Jones
Leader:
Maurice Clare
Conductor:
Boyd Neel
Music By:
Arne

Third Programme

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More