Programme Index

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Overture: Maskarade (Nielsen) DANISH STATE RAnlo
SYMPHONY ORCHESTRA
Conducted by THOMAS JENSEN
7.8* Norwegian Dances, Op. 35
(Grieg)
ROYAL PHILHARMONIC ORCHESTRA Conducted by GEORGE WELDON
7.22* Tone Poem: The Swan of Tuonela (Sibelius)
VIENNA PHILHARMONIC ORCHESTRA
Conducted by SIR MALCOLM SARGENT
7.31* Four folk tunes from Hardanger (Tveitt)
OSLO FILJlARMONJSK SELSKAPS ORCHESTRA
Conducted by ODD GRÜNER-HEGGE
7.41' Scène; Valse; Pas de trois
(Swan Lake. Act 1) (Teltaikovsky)
PHILADELPHIA ORCHESTRA
Conducted by EUGENE ORMANDY on gramophone records

Contributors

Conducted By:
Thomas Jensen
Conducted By:
George Weldon
Conducted By:
Sir Malcolm Sargent
Conducted By:
Odd Grüner-Hegge
Conducted By:
Eugene Ormandy

Vaughan Williams and Holst
Overture: The Wasps (Vaughan
Williams)
LONDON SYMPHONY ORCHESTRA
Conducted by SIR MALCOLM SARGENT
Continued in next column
9.13* Oboe Concerto (Vauglian
Williams)
LEON GOOSSENS with the PHILHARMONIA. ORCHESTRA
Conducted by WALTER SUSSKIND
9.33* Ballet: The Perfect Fool
(Hoist)
LONDON PHILHARMONIC ORCHESTRA Conducted by SIR ADRIAN BouLT on gramophone records

Contributors

Unknown:
Vaughan Williams
Conducted By:
Sir Malcolm Sargent
Unknown:
Leon Goossens
Conducted By:
Walter Susskind
Conducted By:
Sir Adrian Boult

KATHLEEN JOYCE (contralto) FREDERICK STONE (piano)
ALAN ROWLANDS (piano)
SEBASTIAN BELL (Dute)
STEUART BEDFORD (piano)

Contributors

Contralto:
Kathleen Joyce
Piano:
Frederick Stone
Piano:
Alan Rowlands
Piano:
Sebastian Bell
Piano:
Steuart Bedford

English Music
HEATHER HARPER (soprano)
JOHN SHIRtEY-QUIRK (baritone)
ALEXANDRA CHOIR
Conductor, CHARLES PROCTOR
BBC CHORUS and CHORAL SOCIETY
BBC SYMPHONY ORCHESTRA Leader, Hugh Maguire
Conducted by SIR MALCOLM SARGENT

Contributors

Soprano:
Heather Harper
Conductor:
Charles Proctor
Leader:
Hugh Maguire
Conducted By:
Sir Malcolm Sargent

KATHLEEN LONG (piano)
ELISABETH HOLDEN (contralto) JAMES WALKER (piano)
ELEMENT STRING QUARTET Ernest Element (violin) William Hand (violin) Leslie Smerdon (viola) Harry Bentley (cello)
Devised by John MandueII

Contributors

Piano:
Kathleen Long
Contralto:
Elisabeth Holden
Piano:
James Walker
Violin:
Ernest Element
Violin:
William Hand
Viola:
Leslie Smerdon
Cello:
Harry Bentley
Unknown:
John Mandueii

Fanfare for trumpets, oboes, strings, and timpani (MauTet)
THE PAUL KUENTZ
CHAMBER ORCHESTRA
Conducted by PAUL KUENTZ
2.38* Duet: Fra gli amplessi (Cosl fan tutte) (Mozart)
ELISABETH SCHWARZKOPF (soprano) and ALFREDO KRAUS (tenor) with the PHILHARMONf" ORCHESTRA Conducted by KARL BÖHM
2.45* Dumbarton Oaks (Stravinsky) ENGLISH CHAMBER ORCHESTRA Conducted by COLIN DAVIS on gramophone records
This programme is being broadcast experimentally On the Zenith-G.E. pilot tone stereophonic system from the VHF transmitters at Wrotham and Dover. Kent. To hear the programmeinstereophonyaspecial receiver, or an adapter for use with an existing receiver, is necessary. Listeners with normal VHF recelvers will hear the programme monophonicallyasusual.

Contributors

Unknown:
Paul Kuentz
Conducted By:
Paul Kuentz
Soprano:
Elisabeth Schwarzkopf
Soprano:
Alfredo Kraus
Conducted By:
Karl Böhm
Conducted By:
Colin Davis

Thirteen programmes of traditional music from all parts of the world
Introduced on records and with recordings by A. L. LLOYD
4: Italij
Produced by Denys Gueroult

Contributors

Unknown:
A. L. Lloyd
Produced By:
Denys Gueroult

MARGARET PRICE (soprano)
RUTH LITTLE (contralto)
DAVID PRICE (tenor)
JAMES ATKINS (bass)
GERAINT JONES SINGERS AND ORCHESTRA
AUN HARVERSON
(harpsichord continuo)
Leader, Winifred Roberts
Conductor, GERAINT JONES
Cantata No. 34: 0 ewiges
Feuer, 0 Ursprung der Liebe 4.20* Cantata No. 210: 0 holder Tag, erwünschte Zeit
Margaret Price broadcasts by permission of the General Administrator, Royal Opera House Covent Garden

Contributors

Soprano:
Margaret Price
Contralto:
Ruth Little
Tenor:
David Price
Bass:
James Atkins
Singers:
Geraint Jones
Leader:
Winifred Roberts

50-80 words a minute
Compiled by V ALENTINE McNEFF
For those who want to keep up or improve their speeds in any shorthand system
Reporting speeds: Wednesdays. 6.30 RO-120 words a minute: Saturdays
11.25 a.m. (Home)
A booklet is available

Lesson 27: A la piscine
Introduced by KATIA Ettls with the help of LOUIS BLONCOURT
Written and produced by Elsie Ferguson
Language consultant. Paul Couster
Repeated on Friday at 7.4 p.m
A booklet and records are available

Contributors

Introduced By:
Katia Ettls
Produced By:
Elsie Ferguson
Unknown:
Paul Couster

The final group of thirteen talks In this series is concerned with social man in a changing environment
2: Simpler societies in an industrialised world by GODFREY LIENHARDT
Lecturer in African Anthropology, University of Oxford
Produced by Rosemary Jell is
A booklet Is aYailable

Contributors

Unknown:
Godfrey Lienhardt
Produced By:
Rosemary Jell

of Dante Alighieri
In twelve weekly parts
New translations of selected passages and cantos, speciallY commissioned from contemporary poets
2: Purgatorio Cantos 9-12
The beginning of the ascent
Translated by TERENCE TILLER Reader. MARIUS GORING
Narrator, ROBERT RIETTY
Series arranged by Terence Tiller

Contributors

Translated By:
Terence Tiller
Reader:
Marius Goring
Narrator:
Robert Rietty
Arranged By:
Terence Tiller

Is malice infectious? by G. H. TREITEL
All Souls Reader in English Law, Oxford
In certain cases of defamation liability attaches only jf malice can be proved. But what happens when there are joint authors and some are mahcious and others innocent? Or if the author is malicious but not the printer? Who can be sued?

Contributors

Unknown:
G. H. Treitel

J OlIN WAIN considers
Vladimir Nabokov 's recent edition and translation of Pushkin's Eugene Oncgm from the standpoint of the author's novel Pate Fire. He argues that Nabokov is a novelist and scholar in the way other novelists have been novelists and politicians or novelists and men of action.

Contributors

Unknown:
Vladimir Nabokov
Unknown:
Eugene Oncgm

Network Three

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More