Programme Index

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ALEXANDER YOUNG (tenor) Rex STEPHENS (piano)
Amici STRING Quartet
Lionel Bentley (violin) Colin Staveley (violin)
Christopher Wellington (Tlola) Peter Hailing (cello) with STEPHEN SHINGLES (viola) BERNARD RICHARDS (cello)

Contributors

Tenor:
Alexander Young
Piano:
Rex Stephens
Violin:
Lionel Bentley
Violin:
Colin Staveley
Violin:
Christopher Wellington
Cello:
Peter Hailing
Viola:
Stephen Shingles
Cello:
Bernard Richards

Jacqueline du Pr6 (cello)
Each month a well-known artist is invited to introduce and perform a wide range of their repertoire In weekly recitals.
JACQUELINE DUPRE accompanied by ERNEST LusH (piano) plays

Contributors

Unknown:
Jacqueline Dupre
Accompanied By:
Ernest Lush

Part 1
Overture: The Barber of Seville
(Rossini)
BAMBERG SYMPHONY Orchestra Conducted by JONEL PERLEA
12.23* Violin Concerto No. 5. in A major (K.219) (Turkish) (Mozart)
ISAAC STERN (violin)
COLUMBIA SYMPHONY Orchestra Conducted by GEORGE SZELL on gramophone records

Contributors

Conducted By:
Jonel Perlea
Violin:
Isaac Stern
Conducted By:
George Szell

CHRISTOPHER GRIER looks at some of the outstanding musical events that are taking place in Scotland, Wales, and the West during the next seven days and are not being broadcast.

Contributors

Unknown:
Christopher Grier

Part 2
Symphony In Three Movements
(1945) (Stravinsky)
SUISSE ROMANDE ORCHESTRA
Conducted by ERNEST ANSERMET
1.33* Ritual dances (The Midsummer Marriage) (Tippett)
ROYAL OPERA HOUSE ORCHESTRA COVENT GARDEN
Conducted by JOHN PRITCHARD on gramophone records

Contributors

Conducted By:
Ernest Ansermet
Conducted By:
John Pritchard

Forty lessons designed for listeners with no previous, knowledge of the language
Lesson It
Introduced by JACINTA CASTILLEJO with the help at PABLO Soto AMELIA DIAX as Dolores PILAR de Roiio as Dolores's mother PAUL ANTHONY as Miguelito
Script by Anthony Watson and Edtth R. Baer
Produced by EDITH K. BAER
Broadcast on January 37. 1964
Repeated on Saturday at 11.35 a.m. (Home)
A booklet and records are available

Contributors

Introduced By:
Jacinta Castillejo
Script By:
Anthony Watson
Script By:
Edtth R. Baer
Produced By:
Edith K. Baer

Elizabethan Culture and Ideas Nina programmes about the attttudes and bellefa of the Elizabethans
4: Traditional Society and Economic Grototh
The Elizabethan period was one of the most restrictive in English economic history. Robert ASHTON , Professor of English History In the University of East Anglla, discusses the conflict during Elizabeth's reign between the forces of economic restriction and the forces of liberalisation, and In particular the struggle ever the taking of Interest-usurr.
With readings from contemporary sources by GARY WATSON and John GLEN
Produced by HOWARD SMITH

Contributors

Unknown:
Ideas Nina
Unknown:
Robert Ashton
Unknown:
Gary Watson
Unknown:
John Glen
Produced By:
Howard Smith

GRAYSTON BURGESS (counter-tenor)
JOHN WHITWORTH (counter-tenor)
GERALD ENGLISH (tenor)
IAN PARTRIDGE (tenor)
MICHAEL DOBSON (cor anglais) ARCHIE CAMDEN (bassoon) DESMOND Dupri (bass viol)
MARYLIN WAILES
(portative organ)
Directed by GILBERT REANEY
Quan Je voys le due tens.anon.

Sedendo all'ombra - Giovanni da Cascta
Non ara ma' pieta - Landini
Se je chant mains que ne suel - anon.
Saltarello - anon.
De' dinmi tu - Landini
Intrand' ad abltar - Gherardello
Dal traditor. - Andrea da Firenze

Contributors

Unknown:
Grayston Burgess
Unknown:
John Whitworth
Tenor:
Michael Dobson
Bass:
Desmond Dupri
Unknown:
Marylin Wailes
Directed By:
Gilbert Reaney

by Bernard Shaw with Kenneth Williams
Edward Chapman
Olga Lindo and Mary Miller
The action of the play takes place In John Tarleton 's house at Hindbcad In 1909.
Produced by CHARLES LEFEAUX
To be repeated on February 21
DURING THE INTERVAL (9.25*-9.40*)
A record of the Chaconne from Bach's Partita No. 2 in D minor for unaccompanied violin played by ARTHUR GRUMIAUX

Contributors

Unknown:
Bernard Shaw
Unknown:
Kenneth Williams
Unknown:
Edward Chapman
Unknown:
Olga Lindo
Unknown:
Mary Miller
Unknown:
John Tarleton
Produced By:
Charles Lefeaux
Played By:
Arthur Grumiaux

Network Three

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More