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From Birmingham
RUSSLAN AND LUDMILLA is a fairy-tale
Opera about a Princess who was wooed by three lovers, and carried off by a magician. The plot follows the adventures of the three rival suitors in search of her.
The Overture, a stirring piece of quick music, is built on themes from the Opera. One of them, that represents the wicked magician, is a descending whole-tone scale. This is one of the first instances of the use of this peculiar scale.
The First Main Tune is given out, after a few bars of Introduction, by the Full Orchestra, with great energy. This is worked up a little, one part ' imitating ' another, and then the broad, swinging Second Main Tune (based on one of Russian's songs) comes en the Bassoons and Lower Strings.
It is just before the Coda, or winding-up section, that we hear the ' whole-tone scale,' blared out by the heaviest bass instruments. , After it, the Overture quickly rattles on to a rollicking conclusion.
T. C. STERNDALE BENNETT at the Piano, in a selection from his own Compositions

Contributors

Unknown:
C. Sterndale Bennett

5GB Daventry (Experimental)

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About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More