Listings
Conductor, Joseph Jenkins
(From West of England)
Contributors
Conductor:
Joseph
Jenkins
William Pleeth (violoncello)
Margaret Good (pianoforte) The problem of satisfactorily combining cello with piano is not easy. The cello is less flexible than the violin, less strong and brilliant in rapid passages ; an elaborate piano Part easily drowns the stringed instrument. It can hardly be claimed that Mendelssohn handled these points as skilfully as Beethoven, but his second Cello Sonata in D major (composed 1842-3) is well written and one of the most attractive of his chamber works.
The delightful second movement, with its delicate pizzicato passages, reminds one of the composer's magic youth when his inward ear so often caught such echoes of fairyland. And the slow movement, a sort of choral fantasia, can hold its own in comparison with similar movements in the finely built organ sonatas.
Contributors
Unknown:
William
Pleeth
(by permission of the Officers of the Royal
Army Service Corps)
Conducted by Mr. C. B. Hewitt ,
M.B.E. from the Municipal Gardens,
Southport
Contributors
Conducted By:
Mr. C. B.
Hewitt
with Vernon Adcock (xylophone)
(Midland)
Contributors
Unknown:
Vernon
Adcock
Leader, Frank Cantell
Conductor, Charles Shadwell
Jack Watts (light baritone)
(Soloist, DICK MATHEWS )
Popular Medley
Contributors
Leader:
Frank
Cantell
Conductor:
Charles
Shadwell
Conductor:
Jack
Watts
Soloist:
Dick
Mathews
Gramophone records illustrating the history of sonata form by Basil Lam
Beethoven-2
Contributors
Unknown:
Basil
Lam
Leader, Harold F. Petts
Conductor, Ernest W. Goss
Walter Glynne (tenor) from the Pavilion, Torquay
Contributors
Leader:
Harold F.
Petts
Conductor:
Ernest W.
Goss
Tenor:
Walter
Glynne
A short story written for broadcasting by A. G. Morris and read by Edward Lloyd
Contributors
Unknown:
A. G.
Morris
Read By:
Edward
Lloyd
and dance to the music of Jack White and his Collegians
Contributors
Unknown:
Jack
White
Conductor, Colonel George Fuller
Edith Furmedge (contralto)
Contributors
Conductor:
Colonel George
Fuller
Contralto:
Edith
Furmedge
including Weather Forecast
from Queen's Hall, London
(Sole Lessees, Messrs. Chappell and Co. Ltd.)
Part 1
Haydn-Mozart
Margaret Balfour (contralto)
Eric Greene (tenor)
Arthur Catterall (violin)
The BBC Symphony Orchestra
(ninety players)
Leader, Paul Beard
Conducted by SIR HENRY J. WOOD
Mozart's Violin Concerto No. 5, in A (K.219), is one of five concertos he wrote in 1775-no doubt for his own use. Each, like the older Vivaldi type of violin concerto, consists of three movements, but in almost every other respect Mozart advanced far beyond his Italian, French, and Austrian predecessors in this field. This is particularly noticeable in the first movements. The opening tuttis with their quite symphonic statements of material, for instance, sounded quite a new note. Mozart's last three, and greatest three, symphonies were all written in three summer months of 1788 ; the E flat is dated June 26, the G minor, July 25, the C major, August 10. Mozart's finances were at their lowest ebb and this trio of masterpieces was written for a money-raising series of subscription concerts projected for June but postponed and apparently never given. It is characteristic that the E flat Symphony, overflowing with the joy of life, was composed at a time when (as we know from his letters of those weeks) Mozart was in the depths of despair.
The reciprocal influence on each other of Haydn and Mozart is well known. Even in this completely Mozartian masterpiece the attentive listener will notice affinities with the older master.
Tickets can be obtained from the British Broadcasting Corporation, [Address Removed] Messrs. Chappell's Box Office, [Address Removed] and the usual Agents. Prices: 7s. 6d., 6s., 5s. (reserved), 3s. (unreserved), promenade (payment at doors only) 2s.
Contributors
Contralto:
Margaret
Balfour
Tenor:
Eric
Greene
Violin:
Arthur
Catterall
Leader:
Paul
Beard
Conducted By:
Sir Henry J.
Wood
The BBC Theatre Orchestra
Leader, Tate Gilder
Conductor, Stanford Robinson
Redvers Llewellyn (baritone)
Roderick Lloyd (bass)
Contributors
Leader:
Tate
Gilder
Conductor:
Stanford
Robinson
Baritone:
Redvers
Llewellyn
Bass:
Roderick
Lloyd
from the Piccadilly Hotel
Anatole Kitain : Feux follets
(Will-o'-the-Wisps) (Liszt). Ballade No. 3, in A flat ; Studies Nos. 5, 6, 7, and 8, Op. 10 (Chopin)
Contributors
Unknown:
Anatole
Kitain
including Weather Forecast