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at the Organ of the Empress Ballroom,

: The Coventry Hippodrome Orchestra

Conductor, William Pethers
from the Hippodrome Theatre, Coventry
(Solo violoncello, Charles Woodforde)


Musicians: The Coventry Hippodrome Orchestra
Conductor: William Pethers
Violinist: Charles Woodforde

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Storybook Suite
' The Pond Episode' told with songs and music by HENRY REED


Music By: Henry Reed

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Conductor, SYDNEY V. WOOD


Conductor: Sydney V. Wood
Bass: Norman Williams

: A Sibelius Concert THE BBC ORCHESTRA

(Section D)
Conducted by Sir HAMILTON HARTY
Suite, Karelia
I. Intermezzo; 2. Ballade; 3. Alia marcia
Tone Poem, The Mermaids
Sibelius's tone poem ' The Mermaids ', or ' The Oceanides', was written in 1914 and is considered to be one of his finest tone poems. Although there is no definite programme to the music, Cecil Gray has suggested that the lovely passage in Hesiod's Theogony is not inappropriate : ' three thousand neatankled daughters of Ocean who are scattered far and wide, and in every place alike serve the earth and the deep waters-children who are glorious among goddesses.'
In describing ' The Occanides' in THE RADIO TIMES Mr. Gray pointed out that ' the sole thematic material of the work consists in one subject, first heard near the outset on the flutes over gently-swaying figurations for the violins and harps. The orchestral texture, on the other hand, is best described by the French word pointilliste, consisting in an accumulation of minute, almost microscopic, spots of instrumental colour. Remarkable features of the scoring, incidentally, are the writing of frequent chords for the drums-requiring two players-and the treatment of the double basses.'
Symphony No. 5, in E flat i. Tempo molto moderato-Allegro moderato ; 2. Andante mosso, quasi allegretto ; 3. Allegro molto
Sibelius's Fifth Symphony was commissioned by the Finnish government to celebrate the composer's fiftieth birthday. It is probably the easiest of the composer's later symphonies to understand at a first hearing. The first movement is in effect two separate movements played without a break, although in the second section where new material is introduced the horn theme heard at the outset of the movement dominates everything else. The second movement is a set of variations on the opening theme heard first on the violas and 'cellos pizzicato and then completed on the flutes. The third movement provides a fine climax to the work ; it begins with one of those long, winding passages so characteristic of the composer.


Unknown: Laurance Turner
Conducted By: Sir Hamilton Harty
Music: Cecil Gray




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About this project

This site contains the BBC listings information which the BBC printed in Radio Times between 1923 and 2009. You can search the site for BBC programmes, people, dates and Radio Times editions.

We hope it helps you find information about that long forgotten BBC programme, research a particular person or browse your own involvement with the BBC.

Through the listings, you will also be able to use the Genome search function to find thousands of radio and TV programmes that are already available to view or listen to on the BBC website.

There are more than 5 million programme listings in Genome. This is a historical record of the planned output and the BBC services of any given time. It should be viewed in this context and with the understanding that it reflects the attitudes and standards of its time - not those of today.

To read scans of the Radio Times magazines from the 1920s, 30s, 40s and 50s, you can navigate by issue.

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Genome is a digitised version of the Radio Times from 1923 to 2009 and is made available for internal research purposes only. You will need to obtain the relevant third party permissions for any use, including use in programmes, online etc.

This internal version of Genome, which includes all the magazine covers, images and articles as well as the programme listings from the Radio Times, is different to the version of BBC Genome that is available externally/to the public. It is only available inside the BBC network.

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