2: Church and State. Should the Prime Minister be involved in appointing the Archbishop of Canterbury? Jonathan Freedland and his guest
Ann Widdecombe explore the relationship between Church and State, through the story of Henry II and his Archbishop of Canterbury, Thomas a Beckett. Producer Virginia Crompton Repeated at9.30pm
Presented by Nigel Lee. Praise, My Soul (Praise, My Soul) Matthew 1, wl&-25. Like a Candle Rame
(Kendrick). The Shepherd's Farewell (Berlioz). With the Coventry Blue Coat Church of England School Choir. Director of music Philip Formstone.
of the Family
Artur Rubinstein 's career spanned the first 80 years of the last century, when he was renowned as a great humanitarian and bon viveur as well as one of the world's finest pianists. But, as his daughter Anila reveals, he could also be a tyrannical and insecure parent. Producer Bill Lloyd
Sue Cook and the team return to examine more of your historical queries. If there is a local legend, quirk of history, family curiosity or architectural oddity that has you puzzled, or if you can help with another listener's query, please write to:
[address removed], or email: firstname.lastname@example.org Producers Ivan Howlett and Nick Patrick
2: Benny Gets the Blame by Clare Boylan , read by Patrick Baladi. You know when you get an idea and it's the best idea in the whole history of the world? It makes you feel kind of calm. "Dekko, my man," says "We're goingto have a chariot race." For details see yesterday
2: Saluting the Moose. Agroup of retired engineers meet annually in Connecticut to relive the history of the first American business computer, which was built for Remington Rand in a converted barn that smelled of horses. Producer Mike Hally
A new series of reminiscences by well-loved broadcasters. This week, Ludovic Kennedy talks about his 25-year career in television, including a memorable interview with Harold Macmillan , having a poem composed about him during a taxi ride in India and the moment his fame was confirmed - when Alf Garnett called him
"that bloody Russian mick." Producer Claire Jones
By Allison Pearson. Adapted by Penny Leicester . 2: How to simultaneously manage your client's money, make a presentation to the new trainees and attend your daughter's nativity play. For details see yesterday Repeatedfrom 10.45am
The final part of the series looking at the science and nature of pain. From back pain to cancer, much of the process of coping with pain is a mental one. Geoff Watts discovers how pain management clinics are using a huge variety of different techniques, including medication, art therapy and acupuncture, to help chronic sufferers live as normally as possible.
EMAIL: email@example.com Producer Alexandra Feachem
By Ralph Ellison. The narrator is on a mission to be a credit to his race. His ingratiating attitude has been rewarded with a place at the only college for black students. Read by Clarke Peters. Part 2. For details see yesterday
By Karl Minns. Chester Beatty is in mortal danger-the only way he can be saved is if the "actors" of his REM sleep perform a public service warning dream broadcast. There's no room for metaphor or simile, and they must perform like never before.
But there's one little problem - Chester just won't goto sleep.
Music composed by the Neutrinos Producer Dawn Ellis
Little Scotland. When thousands of Scottish workers moved to Corby to work at British Steel, they changed the face (and the accent) of this small Northamptonshire town. The men and their sons describe the way things have changed, by taking a trip around some of their old haunts. Producer Allyson Macdonald
There are more than 5 million programme listings in Genome. This is a
historical record of the planned output and the BBC services of any
given time. It should be viewed in this context and with the
understanding that it reflects the attitudes and standards of its time
- not those of today.
To read scans of the Radio Times magazines from the 1920s, 30s, 40s and
50s, you can navigate by issue.
Genome is a digitised version of the Radio Times from 1923 to 2009 and
is made available for internal research purposes only. You will need to
obtain the relevant third party permissions for any use, including use in
programmes, online etc.
This internal version of Genome, which includes all the magazine covers,
images and articles as well as the programme listings from the Radio
Times, is different to the version of BBC Genome that is available
externally/to the public. It is only available inside the BBC network.