The final episode of Collin Johnson 's drama series. Capital Return.
Home at last, how will Julius Hutch come to terms with the bank? with Peter Whitman. Director Andy Jordan Rpt
Mrs Pauline Tone:
Six programmes in which blind broadcaster Peter White examines and often explodes the myths about blindness and explores its lighter side.
3: Holidays. Peter recalls the pleasures and pitfalls of "getting away".
Producer Ronni Davis
To mark the release of Strange Days, a film about virtual experiences played straight into the brain,
Paul Gambaccini talks to director Kathryn Bigelow and star Ralph Fiennes.
Producer Jerome Weatherald. Rvsd rpt 9.30pm
John Tusa continues his personal perspective on the last 100 years in a second season of five programmes. 1: Believing. "God is dead", or so Nietzsche proclaimed before he died in 1900. But was he right? John Tusa examines the nature of faith in a century riven by doubt.
Producers Suzanne Levy and Philip Sellars
BBC Foreign Affairs Editor
John Simpson presents six programmes featuring the lives of people forced into exile during political upheaval. 1: Irina Ratushinskaya and Igor Geraschenko
Producer Marc Jobst Rpt
Six real-life dramas based on the casebook of American psychiatrist Irvin Yalom. Dramatised by John Taylor.
1: Lost Girls. Starring Henry Goodman as Dr Yalom and Clare Higgins as Penny Sullivan. "My two boys are standing on this platform like they're on display. They have long, girls' hair and they're wearing dresses." A Fiction factory production
Four close encounters with fate.
3: Nice Little Number. With Charles Gray
asHarold Wing Pinero . Vernon Hedges sets out to disprove the existence of Lady Luck. With Philip Jackson , Michael Troughton , Tracey Wiles and Toby Longworth. Written by Phil Whelans and Gary Parker. Producer Paul Schlesinger
There are more than 5 million programme listings in Genome. This is a
historical record of the planned output and the BBC services of any
given time. It should be viewed in this context and with the
understanding that it reflects the attitudes and standards of its time
- not those of today.
To read scans of the Radio Times magazines from the 1920s, 30s, 40s and
50s, you can navigate by issue.
Genome is a digitised version of the Radio Times from 1923 to 2009 and
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obtain the relevant third party permissions for any use, including use in
programmes, online etc.
This internal version of Genome, which includes all the magazine covers,
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