led by Rev Michael Blood from St Paul 's Church, Birmingham with the Fountain Singers. Dear Lord and Father of Mankind (Repton); Romans 8, w 12-21; Eternal F«her (Hoist); Now Thank We All Our God (Nun Danket). Director of Music Ian Ledsham.
by Peter Thomson based on stories by Franz Kafka.
When Larry turns up at an audition saying he's a hunger artist, Johnny Johnson forgets the talking dog and the musical farter and knows he's struck gold.
Based on stories by:
The last of six programmes in which John Miller talks to eminent historians about their work and its relevance to the modern world. This week he meets Stephen Ambrose , Professor of History at the University of New Orleans, Director of the Eisenhower Centre and biographer of Richard Nixon. Producer John Knight
Manchester is the City of Drama next year. Robert Dawson Scott investigates and visits a production of Richard II at the Royal Exchange. Also the sounds of a mariachi band in the studio. Producer Anthony Denselow (Revised repeat at 9.15pm)
by Mike Dorrell. Catherine rejects marriage in favour of religion. But when she is powerfully attracted to a Mormon preacher who comes to her village, she learns about the doctrine of polygamy.
Violin lolo Jones
Driector Jane Dauncey
The first of a five-part story by Jocelyn Brooke. A poignant tale of a friendship that developed between two young men at Oxford during the 1920s. Read by Alec McCowen. Abridged by Donald Bancroft Producer Tim Gebbels
Based on the book by Douglas Adams. 3: Fit the Third. Arthur Dent and his companions face a missile attack.
Producer Geoffrey Perkins
Benny Goodman 's small groups created the concept of chamber jazz, and their recordings represent the genre at its best. In the first of five programmes, Geoffrey Smith looks at the work of Goodman's trio that he formed in 1935 with Teddy Wilson and Gene Krupa. Producer Derek Drescher (first broadcast on Radio 3)
There are more than 5 million programme listings in Genome. This is a
historical record of the planned output and the BBC services of any
given time. It should be viewed in this context and with the
understanding that it reflects the attitudes and standards of its time
- not those of today.
To read scans of the Radio Times magazines from the 1920s, 30s, 40s and
50s, you can navigate by issue.
Genome is a digitised version of the Radio Times from 1923 to 2009 and
is made available for internal research purposes only. You will need to
obtain the relevant third party permissions for any use, including use in
programmes, online etc.
This internal version of Genome, which includes all the magazine covers,
images and articles as well as the programme listings from the Radio
Times, is different to the version of BBC Genome that is available
externally/to the public. It is only available inside the BBC network.