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Listings

: Martin Handley

Music includes:
7.00-8.00: Ravel Jeux d'Eaux TzimonBarto (piano)
Bach Oboe d'Amore Concerto in A, BWV1055 Jurg Schaeftlein , Vienna Concentus Musicus , director Nicholas Harnoncourt
8.00-9.00: Paganini Introduction and Variations on Dal Tuo Stellato Soglio
Vadim Repin (violin), Alexander Markovich (piano) Haydn Symphony No 83 in G minor New York PO, conductor Leonard Bernstein
9.00-10.00: Schumann Adagio and Allegro, Op 70 Barry Tuckwell (horn), Vladimir Ashkenazy (piano) Albeniz Asturias (Leyenda) Andres Segovia (guitar)

Contributors

Piano: Bach Oboe
Unknown: Jurg Schaeftlein
Unknown: Vienna Concentus Musicus
Director: Nicholas Harnoncourt
Unknown: Tuo Stellato Soglio
Violin: Vadim Repin
Violin: Alexander Markovich
Conductor: Leonard Bernstein
Horn: Barry Tuckwell
Horn: Vladimir Ashkenazy
Piano: Albeniz Asturias
Guitar: Andres Segovia

: lain Burnside

Holocaust Memorial Day provides the theme for an edition in which lain Burnside and musicologist Erik Levi explore some of the music the Nazis banned, some they appropriated to their cause, and some that emerged in opposition to their regime. EMAIL: [address removed]

Contributors

Musicologist: Erik Levi

: Private Passions

Michael Berkeley is joined by Bryan Appleyard , a commentator, reviewer and columnist for several newspapers and magazines, especially The Sunday Times and New Statesman. Appleyard is also the author of several books, including How to Live Forever or Die Trying. His passions range from
Bob Dylan to sacred music by Tallis and Bach, but his particular love is the classical string quartet.

Contributors

Unknown: Michael Berkeley
Unknown: Bryan Appleyard
Unknown: Bob Dylan

: The Early Music Show

To lead into The Early Music Show's Versailles and Paris month in February, Lucie Skeaping presents a recital given by Le Concert d'Astree directed by Emmanuelle HaTm , recorded last October in the Galerie des Batailles, Versailles, as part of the Louis XV weekend. Included are works by Leclair, Rameauand Dauvergne. producer Rebecca Bean

Contributors

Unknown: Lucie Skeaping
Directed By: Emmanuelle Hatm

: Radio 3 Requests

Chi-chi Nwanoku presents the weekly selection of listeners' favourites, including music from Haydn's Creation as a Radio 3 listener prepares to take on one of the solo roles in concert. There's also an orchestral counterpart to John Adams 's Short Ride in a Fast Machine and a contribution from guest Simon Rattle , a passionate advocate of the music of Robert Schumann.
ADDRESS: Radio 3 Requests. BBC Wales, CF5 2YO
Phone: [number removed] (calls from a land line cost no more than 8p per min) EMAIL: [address removed]

Contributors

Unknown: John Adams
Unknown: Simon Rattle
Unknown: Robert Schumann.

: Choral Evensong

I Live from St Paul 's Cathedral. Introit:
Magnus Sanctus Paulus (Palestrina).
Responses: Spicer. Psalm: 119, vv41-56
(West, Jones). First Reading: Ecclesiasticus 39, wHO. Canticles: Purcell in G minor. Second Reading: Colossians 1, vv24-end; 2, vvl-7.
Anthem: Rejoice in the Lamb (Britten). Hymn: We Sing the Glorious Conquest (Ellacombe). Organ Voluntary: Tanz Toccata (Heiller). Director of music Andrew Carwood. Organist Huw Williams.

Contributors

Unknown: St Paul
Organist: Andrew Carwood.
Organist: Huw Williams.

: Discovering Music

Elgar, a Truly English Composer?
Charles Hazlewood and the BBC National Orchestra of Wales explore three English works for string ensemble: Elgar's Introduction and Allegro, Holst's
Saint Paul's Suite and Elgar's Serenade for Strings.

Contributors

Unknown: Charles Hazlewood

: The Choir

Latvian conductor Kaspars Putnins tells Aled Jones how music played a vital part in the overthrow of communism in the Baltic states of Latvia, Estonia and Lithuania. Including musical examples recorded by the BBC Singers.

Contributors

Conductor: Kaspars Putnins
Unknown: Aled Jones

: Drama on 3: All the Colours of Love

By Pat McCabe. When Redmond is left by his wife and child, he resolves to get them back, whatever the cost. A dark tale of isolation and violence from the author of The
Butcher Boy.
Fiddle music arranged and performed by Cathal Hayden Producer Eoin O'Callaghan
Spoken word choices: page 121

Contributors

Unknown: Pat McCabe.
Unknown: Cathal Hayden
Producer: Eoin O'Callaghan
Redmond: Dermot Crowley
Ned Strange: Tp McKenna
Catherine: Karen Ardiff
Imogen: Sarah Dillon
Announcer: Mark Lambert
Piper Alpha: Kieran Lagan
Shop assistant: Stella McCusker
Neighbour: Alne McCartney
Michael: Johnny Brennan

: Sunday Feature: Malory: a Tale of Two Texts

Thomas Malory 's great work of Arthurian literature Le Morte d'Arthur survives in two forms: a manuscript produced by scribes, and a printed edition by Caxton that influenced generations of readers. The original manuscript disappeared for nearly 500 years before its rediscovery in the Warden's bedroom at Winchester College.
Professor David Wallace traces the histories of the two versions and considers the different stories they tell about the times in which they were made and the times in which they were read. With readings by Andrew Motion. Producer Paul Quinn

Contributors

Unknown: Thomas Malory
Unknown: Professor David Wallace
Unknown: Andrew Motion.
Producer: Paul Quinn

: Words and Music

Lost in the City of Waters
Jeremy Irons and Anna Massey explore the splendour and decadence of Venice through the poetry and prose of Longfellow, Browning,
Thomas Mann , Marcel Proust and others. With music by Luigi Nono , Gounod, Vivaldi, Hahn, Liszt and Gabrieli. EMAIL: [address removed]
For details of the music and verse heard in this programme, visitwww.bbc.co.uk/radio3/wordsandmusic

Contributors

Unknown: Jeremy Irons
Unknown: Anna Massey
Unknown: Thomas Mann
Unknown: Marcel Proust
Music By: Luigi Nono

: The Early Music Show

The Pulley, a poem by George Herbert , is
Catherine Bott 's inspiration in this programme.
She plays music to illustrate the themes included within this short but meditative poem.

Contributors

Unknown: George Herbert
Unknown: Catherine Bott

: Through the Night

With Jonathan Shea.
Stoia The Modal Liturgy Father lonel Roata (vocals),
Moldova Philharmonic Chorus, lasi, director Doru Morariu
1.40 Strauss Sinfonia Domestica, Op 53
2.23 Beethoven String Quartet in F, Op 59 No 1 (Rasumovsky)
3.02 Neefe Keyboard Concerto in G
3.24 Bridge Valse Russe (Miniatures)
3.29 Elgar Variations on an Original Theme (Enigma)
4.00 Noskowski Overture: Sir Zolzikiewicz
4.07 Blow Tell Me No More
4.10 Trad 0 Waly, Waly
4.14 Geminiani Concerto Grosso in D minor, Op 7 No 2
4.24 Dandrieu La Gémissante
4.26 Bolsmortier La Puce
4.28 Colin Matthews To Compose without the Least Knowledge of Music
4.32 Bruhns Cantata: Paratum Cor Meum
4.46 A Gabrieli Ricercar del VI tono
4.49 G Gabrieli Sonata a 8, S118
4.53 Bruynel Serene
5.00 Gounod Overture: Mireille
5.07 Debussy Jardins sous la Pluie
5.12 Nielsen Pan and Syrinx, Op 49
5.20 Pilkington Rest, Sweet Nymphs
5.24 Jonqen Allegro Appassionato, Op 95 No 2
5.32 Bach Sarabande (Partita No 3 in A minor, BWV827)
5.37 Handel Va Tacito e Nascosto; Piangerb la Sorte Mia (Giulio Cesare )
5.50 La Barre Suite No 1 in C minor
6.00 Biber Sonatae Tam Aris Quam Aulis Servientes:
Sonata XII a otto 6.06 Alfven En Bat Med Blommer, Op 44
6.16 Fibich Poem for violin and piano
6.19 Shostakovich Concerto for piano, trumpet and strings, Op 35
6.42 Saint-Saens Variations on a theme by Beethoven, Op 35

Contributors

Unknown: Jonathan Shea.
Director: Doru Morariu
Unknown: Colin Matthews
Unknown: Debussy Jardins
Unknown: Bach Sarabande
Unknown: Handel Va Tacito
Unknown: Giulio Cesare








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This site contains the BBC listings information which the BBC printed in Radio Times between 1923 and 2009. You can search the site for BBC programmes, people, dates and Radio Times editions.

We hope it helps you find information about that long forgotten BBC programme, research a particular person or browse your own involvement with the BBC.

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There are more than 5 million programme listings in Genome. This is a historical record of the planned output and the BBC services of any given time. It should be viewed in this context and with the understanding that it reflects the attitudes and standards of its time - not those of today.

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