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Listings

: Open University

The Enlightenment: The Geneva Episode

: Morning Concert

Mozart Overture:
The Magic Flute
7.08 Albeniz Cordoba
(Cantos de Esparla)
7.16 Vivaldi Flute
Concerto in G (R 437)
7.30am News
7.35 Mendelssohn
Rondo Brillant in E flat
7.46 Beethoven March in D (WoO 24)
7.54 Nielsen Little Suite
8.09 Holborne
Pavan: Paradizo
8.13 Elgar Three Bavarian Dances Records

: News

: Bournemouth Sinfonietta

conductor
Roger Norrington
Wissam Boustany (flute) leuan Jones (harp)
Mozart Concerto (K 299) Stravinsky Puldnella BBC Bristol (R)

Contributors

Conductor: Roger Norrington
Flute: Wissam Boustany
Unknown: Stravinsky Puldnella

: Saturday Review

with Edward Greenfield.
Record Review
Building a Library: Vaughan Williams 's Sea Symphony, with Michael Kennedy ;
Nicholas Kenyon on Baroque choral music. Producer Anthony Cheevers

Contributors

Unknown: Edward Greenfield.
Unknown: Vaughan Williams
Unknown: Michael Kennedy
Unknown: Nicholas Kenyon
Producer: Anthony Cheevers

: Berlin Weekend

Radio 3 moves to Berlin for a special celebration of the city that is once again the centre of world attention.
10.40 am
Welcome to Berlin
John Tusa and John Drummond preview the weekend's highlights, introduce the cultural and political issues of the moment and look forward to Sunday's East German local elections.
Editors Brian Barfield ,
Clive Bennett , Tim Suter Producers Julian Hale ,
Elizabeth Burke ,
Andrew Kurowski , Harry Schneider

Contributors

Unknown: John Tusa
Unknown: John Drummond
Editors: Brian Barfield
Editors: Clive Bennett
Editors: Tim Suter
Producers: Julian Hale
Producers: Elizabeth Burke
Producers: Andrew Kurowski
Producers: Harry Schneider

: Radio 3 joins Sender

Freies Berlin for
Klassik nach Zwolf with Berlin RSO.
Reissiger Clarinet Concertino: Dieter Klocker; conductor
Jesus Lopez-Cobos
Schubert, orch Liszt Wanderer Fantasy Joseph Kalichstein (piano); conductor Gary Bertini
Blacher Paganini
Variations: conductor Rudolf Alberth

Contributors

Piano: Joseph Kalichstein
Conductor: Gary Bertini
Conductor: Blacher Paganini
Conductor: Rudolf Alberth

: Signposts

and Souvenirs: A City in Transit
Philip Brady explores the changing landscape of Berlin, travelling against the tide from West to East: from the capitalist present which draws East Berliners to a grander, older Berlin, east of the Wall. Artists, writers, theatre people and passers-by remember their city's past and talk about what Berlin means now.

Contributors

Unknown: Philip Brady

: A Consummate

Conductor
Herbert von Karajan with Richard Osborne. 6: The Berlin Philharmonic
Mozart Symphony No 35 Wagner Die Walkiire (Act 1, Scene 3)
Gundula Janowitz (sop) Jon Vickers (tenor)
Schumann Symphony No 2 in C
Respighi Pines of Rome Records

Contributors

Conductor: Herbert von Karajan
Unknown: Richard Osborne.
Unknown: Gundula Janowitz
Tenor: Jon Vickers

: A Nation Reborn?

Will German unification lead to a revival of traditional nationalist values? A discussion chaired by John Tusa.

Contributors

Unknown: John Tusa.

: A Heritage Divided

Michael Oliver explores Berlin's musical archives with music by Quantz, Schaffrath, the Brothers Graun, Telemann and Weber among others. With the Academy of Early Music and the Berlin Baroque trio.

Contributors

Unknown: Michael Oliver

: Conductor Christoph von Dohnanyi

, bom in Berlin in 1929, talks to John Drummond about his childhood memories of the city, his family's involvement in the opposition to Hitler and his hopes for the city's future.

Contributors

Unknown: John Drummond

: RIAS Chamber Concert

Beethoven
Quintet in Eflat, Op 16 Poulenc Sextet
Aulos Wind Quintet
Anthony Spiri (piano)

Contributors

Piano: Anthony Spiri

: Opera News

James Naughtie with reports and information about Berlin's opera houses. And Hans Wemer Henze introduces his new opera....

Contributors

Unknown: James Naughtie
Introduces: Hans Wemer Henze

: Das verratene Meer

The first performance of Henze s opera based on Mishima's novel The Sailor Who Fell from Grace with the Sea live from Deutsche Oper, Berlin.
Chorus and Orchestra of the Deutsche Oper, conductor Markus Stenz
7.50 Hans Wemer
Henze, in conversation with John Drummond , talks about his relationship with Berlin.
8.30 Part 2

Contributors

Conductor: Markus Stenz
Conductor: Hans Wemer
Talks: John Drummond
Fvsako Kuroda, a widow: Stephanie Sundine (sop)
Noburo, her 13-year-old son, also called No 3: Clemens Bieber (tenor)
Ryuji Tsukazaki, a merchant sailor: Andreas Schmidt (bar)
Friends ofNoburu: No 1, the leader: Martin Gantner (baritone)
No 2: David Knutson (counter-Tenor)
No 4: Ralf Lukas (bar)
No 5: Friedrich Molsberg
Shipmate: Joseph Becker

: Kritik

Critics and artists discuss the Henze opera, the Theatertreffen and other major events and trends in Berlin's cultural life.
John Tusa 's guests include Peter Conrad , Philip Brady and, from Berlin, writer and actor Hans Zischler and painter Sarah Haffner.

Contributors

Unknown: John Tusa
Unknown: Peter Conrad
Unknown: Philip Brady
Unknown: Hans Zischler
Unknown: Sarah Haffner.

: B-Side Berlin

Chemo Jobatey explores 'alternative' Berlin, from the bars which make this the gay capital of Europe through the revival of punk, to 'lambada' socialism in the East.

: NONE

Coco Schumann survived Auschwitz by playing the guitar. He describes why he came back to Berlin to make a living as a jazz musician.

: Berliner Jazznacht

Radio 3 joins RIAS Berlin for its regular weekly jazz programme featuring the RIAS
Big Band, conducted by Barry Ross. Plus recordings from the Berlin Jazz Festival.

Contributors

Conducted By: Barry Ross.








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This site contains the BBC listings information which the BBC printed in Radio Times between 1923 and 2009. You can search the site for BBC programmes, people, dates and Radio Times editions.

We hope it helps you find information about that long forgotten BBC programme, research a particular person or browse your own involvement with the BBC.

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There are more than 5 million programme listings in Genome. This is a historical record of the planned output and the BBC services of any given time. It should be viewed in this context and with the understanding that it reflects the attitudes and standards of its time - not those of today.

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