4/13. Rock'n'roll, rockabilly and blues enthusiast Mark Lamarr shares recordings from his vast stereo collection, continuing with tracks by Scotty Mann , Denny Reed , Little Miss Jessie and Gene Vincent.
3/4. Ronnie Spector explores the huge impact of doo-wop - the close-harmony rhythm and blues style of singing that emerged in the 1950s on the city streets of East Coast America. The story shifts to the mid-1950s when doo-wop possibly reached its creative peak, with weekly releases of vocal-group records numbering in the hundreds. Among the era's top hi-fi serenaders were the Penguins (Earth Angel (Will You Be Mine)) and the Five Satins (In the Still of the Nite), with the Cadillacs
(Speedoo) picking up the tempo. As doo-wop took root in cities such as New York City, Philadelphia, Chicago and Los Angeles, the mainstream music industry moved in for a slice of the action. With input from Earl Carroll (of the Cadillacs), Fred Paris (of the Five
Satins), Modern Records co-founder Joe Bihari and writer Steve Propes.
There are more than 5 million programme listings in Genome. This is a
historical record of the planned output and the BBC services of any
given time. It should be viewed in this context and with the
understanding that it reflects the attitudes and standards of its time
- not those of today.
To read scans of the Radio Times magazines from the 1920s, 30s, 40s and
50s, you can navigate by issue.
Genome is a digitised version of the Radio Times from 1923 to 2009 and
is made available for internal research purposes only. You will need to
obtain the relevant third party permissions for any use, including use in
programmes, online etc.
This internal version of Genome, which includes all the magazine covers,
images and articles as well as the programme listings from the Radio
Times, is different to the version of BBC Genome that is available
externally/to the public. It is only available inside the BBC network.