Listings
A weekly programme of recent records
Symphony No. 21, in A major (Haydn)
GURZENICH SYMPHONY ORCHESTRA OF COLOGNE
Conducted by GUNTER WAND
8.27* Aria: Ou va la jeune Indoue (Lakme) (Delibes)
RITA STREICH (soprano)
BERLIN OPERA ORCHESTRA
Conducted by REINHARD PETERS
8.36* Violin Concerto in D major (Tchaikovsky)
ERICK FRIEDMAN (violin)
LONDON SYMPHONY ORCHESTRA
Conducted by SEIJI OZAWA
A stereophonic broadcast: see p.10
HAZEL SCHMID (soprano) JANET BAKER (contralto) WILFRED BROWN (tenor)
BENJAMIN LUXON (baritone) GERAINT JONES SINGERS
Obbligato:
Neil Black (oboe)
Winifred Roberts (violin)
Rosemary Green (viola d'amore)
Continuo:
Alan Harverson
(organ and harpsichord)
Michael Whewell (bassoon) Ambrose Gauntlett (cello)
J. Edward Merrett (double-bass)
GERAINT JONES ORCHESTRA Leader, Winifred Roberts
Conductor. GERAINT JONES
Cantata No. 36c: Schwingt freudig euch empor
9.35* Cantata No. 120: Gott, man lobet dlch in der Stille
Contributors
Tenor:
Wilfred
Brown
Oboe:
Neil
Black
Violin:
Winifred
Roberts
Viola:
Rosemary
Green
Unknown:
Alan
Harverson
Bassoon:
Michael
Whewell
Cello:
Ambrose
Gauntlett
Leader:
Winifred
Roberts
A request programme of gramophone records
Sonata in A major, Op. 2 No. 2
(Beethoven)
HANS RICHTER-HAASER (piano)
10.22* Duets (Purcett) Let us wander
Lost is my quiet
VICTORIA de LOS ANGELES (soprano) DIETRICH FISCHER-DIESKAU (baritone) GERALD MOORE (piano)
10.29' Andante and Variations for two pianos, two cellos, and horD (Schumann)
VLADIMIR ASHKENAZY and MALCOLM FRAGER (pianos) AMARYLLIS FLEMING and TERENCE WElL (cellos)
BARRY TUCKWELL (horn)
10.49* Sonata for two pianos (Stravinsky) x
ARTHUR GOLD and ROBERT FIZÐALE
A A stereophonic broadcast: seep. 10
Contributors
Piano:
Gerald
Moore
Unknown:
Vladimir
Ashkenazy
Pianos:
Malcolm
Frager
Pianos:
Amaryllis
Fleming
Horn:
Barry
Tuckwell
G minor, Op. 49 No.
11.8* B flat major, Op. 22
11.35* A flat major, Op. 110 played by PETER WALLFISCH
Second in a series of thirteen weekly programmes In which all the sonatas will be played
Next week, Norman Slieller : G major. Op. 49 No. 2; D major. Op. 28: E fiat major, Op. 31 No. 3
Contributors
Played By:
Peter
Wallfisch
Unknown:
Norman
Slieller
FRIEDRICH GULDA (piano)
CZECH PHILHARMONIC ORCHESTRA
Conducted by Alois KLIMA
Recording made available by courtesy of the Czech Radio
Contributors
Piano:
Friedrich
Gulda
Conducted By:
Alois
Klima
Conductor, RENATO FASANO
Geminiani
Concerto Grosso No. 12, in D major
Corelli
1.43* Concerto Grosso In F major,
Op. 6 No. 6
1.57* Concerto Grosso in D major.
Op. 6 No. 7
Vivaldi
2.10* Concerto in A minor (La stravaKanza) (R. OP. 4 No. 4)
2.21* Concerto in C major, for oboe, strings, and continuo (R. Op. 8 No. 12)
Oboe. Renato Zanfini
2.32* Concerto in B flat major, for two violins, strings, and continuo (La Cetra) (R. Op. 9 No. 9)
Violins, Luigi Ferro and Giuseppe Prencipe
Contributors
Conductor:
Renato
Fasano
Oboe:
Renato
Zanfini
Violins:
Luigi
Ferro
Violins:
Giuseppe
Prencipe
An opera in a prologue and three acts
Libretto by FRANCESCO MARIA PIAVE
<Revised by Arrigo Boito )
Music by Verdi
Cast m order of singing:
Soldiers, sailors. citizens, senators. and the Doge's followers
COVENT GARDEN OPERA CHORUS
Chorus-Master. Douglas Robinson
COVENT GARDEN ORCHESTRA Leader. Charles Taylor
Conducted by James LOCKHART
Second broadcast
The action takes place In Genoa in the middle of the fourteenth century Prologue: A Square In Genoa
Act 1
Scene 1: The Garden of the Grimaldi palace. twenty-five years later
Scene 2: The Doge's Council
Chamber
Act 2: The Doges room In the palace
Act 3: Inside the palace
Contributors
Unknown:
Francesco Maria
Piave
Unknown:
Arrigo
Boito
Chorus-Master:
Douglas
Robinson
Leader:
Charles
Taylor
Conducted By:
James
Lockhart
Wilfrid MELLERS discusses the contemporary situation with the American composer EARLE Brown , who directs the Virtuoso Ensemble in a performance of his Novara
Recordings of some of his other works will also be heard during The programme
VIRTUOSO ENSEMBLE
Edward Walker (flute) Wilfred Hambleton (bass-clarinet)
Dennis Clift (trumpet) Patrick Halling (violin) Ernest Scott (violin)
Gwynne Edwards (viola) Willem de Mont (cello)
Susan Bradshaw (piano)
Morton Feldman : August 28
Contributors
Unknown:
Earle
Brown
Bass-Clarinet:
Wilfred
Hambleton
Bass-Clarinet:
Dennis
Clift
Violin:
Patrick
Halling
Violin:
Ernest
Scott
Viola:
Gwynne
Edwards
Cello:
Willem
de Mont
Piano:
Susan
Bradshaw
Piano:
Morton
Feldman
SCHOLA CtNTORUM BASILIENSIS
August Wenzinger (treble viol) Hannelore Miiller (treble viol) Marianne Majer (tenor viol) Johannes Koch (bass viol)
Three Medieval Music Dramas: August 6
Contributors
Unknown:
Hannelore
Miiller
Tenor:
Marianne
Majer
Bass:
Johannes
Koch
by MICHAEL HOWARD
Professor of War Studies in the University of London
Conflict research is a rapidly srowing discipline in America and Scandinavia, and has recently begun to gather momentum in this country (where it was first pioneered). Is it an important development in the study of international relations, or merely a passing inteHectual fashion, or a well-meant but misguided attempt to apply scientific techniques in areas where they are inappropriate?
Second broadcast
Contributors
Unknown:
Michael
Howard
Quatuor pour la fin du temps
HUGUETTE FERNANDEZ (violin) GUY DEPLUS (clarinet) JACQUES NEILZ (cello)
MARIE-MADELEINE PETIT (piano) on a gramophone record
A stereophonic broadcast: see P. 10
Contributors
Violin:
Huguette
Fernandez
A miscellany of readings, reviews, and interviews including ELIZABETH JENNINGS discussing and reading poems from her new book The Mind Has Mountains and more recent work
FREDERICK GRUBB reviewing Louis Simpson 's Selected Poems and new poems by TED HUCHES , EDWARD LOWBURY and MARY SULLIVAN read by the authors themselves
Introduced by GEORGE MACBETH
Contributors
Unknown:
Elizabeth
Jennings
Unknown:
Frederick
Grubb
Unknown:
Louis
Simpson
Unknown:
Ted
Huches
Unknown:
Edward
Lowbury
Unknown:
Mary
Sullivan
Introduced By:
George
MacBeth
SOUTH GERMAN Radio SYMPHONY ORCHESTRA
Conducted by GEORG LUDWIG JOCHUM
Part 1: Mozart
Symphony No. 36, in C major
(Linz) (K.425)
Contributors
Conducted By:
Georg Ludwig
Jochum
by W M. SIMON
Professor of History at the University of Keele
Auguste Comte, with his domestic eccentricities and his do-it-yourself ' religion of humanity. is a ready target for those who find philosophers figures of fun. Yet his positivist philosophy was a remarkably interesting response to the unprecedented problems set by the Europe which followed the Frencn Revolution.
Contributors
Unknown:
M.
Simon
Part 2: Bruckner
Symphony No. 3, in D minor
Recording made available by courtesy of South German Radio
by Johan August Strindberg
MAX FABER 'S translation arranged for broadcasting by Rayner Heppenstall
Harpist, JOHN MARSON
Produced by RAYNER HEPPENSTALL
This is the best known of the plays which Strindberg wrote for his own Intimate Theatre during his later years. It starts outside a house into whose dreadful secrets a sinister old man in a wheel-chair later penetrates with dire consequences.
Second broadcast
Robert Eddison is a member of the Royal Shakespeare Company
Contributors
Unknown:
Johan August
Strindberg
Unknown:
Max
Faber
Broadcasting By:
Rayner
Heppenstall
Harpist:
John
Marson
Produced By:
Rayner
Heppenstall
Unknown:
Robert
Eddison
The Spectator:
Heron
Carvic
The Student:
Robert
Eddison
Hummel:
Carleton
Hobbs
Johansson:
Charles
Leno
Adele:
Elizabeth
Proud
Bengtsson:
Harold
Kasket
The Mummy:
Mary
Wimbush
The Colonel:
Henry
Stamper
The Cook:
Barbara
Mitchell