@ From page 89 of ' New Every Morning'
@ at the Organ of the Rialto Cinema,
J. F. Rees.
Principal of the University College of South Wales and Monmouthshire
@ German for Sixth Forms
'Berghuten im Tirol'
Olga Haley (mezzo-soprano) :
Where'er you walk (Semele) (Handel). Lascia ch'io pianga (Armida) (Handel). Easter Hymn (Bantock)
(From the Acts of the Apostles to the Reformation)
13 ' Hermits and Monks '
The Rev. Father C. C. Martindale.
Leader, Philip Whiteway
Conductor, B. Walton O'Donnell
@ Gramophone records of popular tunes you all remember
@ from the Concert Hall,
, at 2.0
2.0 @ Interval Music
@ Science and Gardening
' Plant Growth-Different Kinds of Plants'
B. A. KEEN , D.S.C., F.R.S.
2.25 @ Interval Music
2.30 Music Second Year
Ⓓ Intervals (ii) Listening to Two
THOMAS ARMSTRONG , D.Mus.
@ Interval Music
3.35 @ Early Stages in German
A. H. WINTER and MARGOT BERGER
@ at the Organ of the Empress
Ortambert (violin), Drouet (viola),
Ruyssen (violoncello): Unfinished Trio in B flat: Allegro moderato (Schubert)
Budapest Trio: Trio in C minor,
Op. 101 (Brahms)—1 Allegro energico. 2 Presto non assai. 3 Andante grazioso quasi animato. 4 Allegro molto
including Weather Forecast
by James Ching
A Bach Programme
Toccata and Fugue in C minor
Prelude, Fugue, and Allegro in E flat
James Chihg began his musical studies at the Royal Academy of Music at the age of seven, taking piano under Tobias Matthay and composition under Frederick Corder. ' At eleven years of age ', said Mr. Matthay, ' he played the Bach Fantasia and Fugue like a virtuoso.' In his seventeenth year Mr. Ching took his A.R.C.O., won the La Fontaine Prize, and gained an open organ scholarship at the Royal College of Music, where some months later he took his F.R.C.O. and won the Turpin Prize. At the Royal College of Music he studied under Stanford and Parratt until 1920, when he went to Oxford to take the degrees of Mus.Bac. and B.A. In 1925 Mr. Ching made his debut as a solo pianist, giving recitals and later appearing as soloist at the Proms. Of late years, however, Mr. Ching has devoted himself chiefly to teaching.
' The Composer's Use of the Pianoforte '
presented by Harry S. Pepper and Douglas Moodie
Singing Commere, Judy Shirley
1 Doris Palmer
2 Inspector Hornleigh Investigates
(S. J. Warmington as Inspector
No. 26, ' Betrayed by Short Waves ' by Hans W. Priwin
3 Puzzle Corner
? ? ? Guess ? ? ?
4 ' A Curtain Lecture' played by Fred Gibson and Nance Haines
5 Josephine Houston
The Orchestra conducted by Mark H. Lubbock
4—' The Actor's Job'
Acting for the cinema and acting for the stage present quite different problems, and nobody can know better about them than an actor who has excelled at both. Raymond Massey-a leading figure in the theatre of today as both actor and producer-was born in Canada, made his first appearance on the professional stage at the Everyman Theatre, London, in 1932-a theatre he was to manage four years later, producing a number of plays. Since 1932 he has appeared in a succession of films, among them The Old Dark House, The Scarlet Pimpernel, Things to Come, and Dreaming Lips. He will describe some of the peculiar difficulties of playing a part in front of camera and microphone.
A Romantic Melodrama by Alexandre Dumas
Adapted for broadcasting as a dramatic serial by Patrick Riddell and produced by Peter Creswell
No. 5, The Treasure
Persons of the Play
Member of the crew of the smuggling vessel
The Story Teller:
Captain of a smuggling vessel:
Jacopo (mate of the smuggling vessel):
The Barber of Marseilles:
including Weather Forecast and Forecast for Shipping
Led by Laurance Turner
Conductor, Sir Adrian Boult
Adila Fachiri (violin)
' Ingrid's Lament ' forms the Prelude to Act 2 of Ibsen's play. The music opens with a four-bar strongly accented phrase (allegro furioso), : followed by three bars of chords (andante) for trumpets and horns over a drum roll which suggests Ingrid's anger. After these seven bars have been repeated the strings announce a broad and sombre - melody, denoting Ingrid's sorrow, which is worked up to a climax. A return to the opening furioso section < rounds off the piece.
The ' Arabian Dance ' is used in Act 4. Peer's wanderings bring him to an Arab camp, where he poses as a prophet. He is enchanted with the graceful beauty of the chieftain's daughter, Anitra, who with her maidens sings and dances to him. One of these dances is the Arabian Dance, the wood-wind playing the theme while the strings, brass, and percussion reiterate the rhythm.
Act 5 describes how Peer, now an old man, is on board a ship that is % ploughing its way through a mighty storm to the Norwegian coast. ' The ' Return of Peer Gynt ' is a fine piece : of tone painting that forms a back- ground to the storm.
'Solveig's Song ' is introduced in a short episode towards the end of Act 4. The scene is a hut in the Norwegian forest where Solveig is awaiting Peer's return. She is sitting at her spinning-wheel and she sings this wistful air, which is delicately scored for flutes, clarinets, horns, harp, and strings.
by Madeleine Herdies and Marcel Josz from Brussels
with JUNE MALO SAM COSTA from the Ritz Hotel
Brian Lawrance and his Orchestra i