From page 41 of 'New Every Morning'
at the Organ of the Regal Cinema,
Niedzielski (pianoforte) : Scherzo,
No. i, in B minor, Op. 20, Mazurkas, Op. 50, No. i, in G, Op 67, No. 3, in C (Chopin)
German for Older Pupils
'Paula und Peter wollen ein Kostiimfest geben'
ELSE JOHANNSEN and A. M. WAGNER , Dr.Phil.
Jacques Thibaud [(violin) : Scherzando (Marsick). Intrada-Adagio (Desplanes, arr. Nachez). The Fountain of Arethusa (Myths, Op. 30) (Szymanozvski)
The Soil from which Christ Sprang'
6-' The Return from Exile '
The Very Rev. C. A. ALINGTON , D.D.,
Dean of Durham
Very Rev. C. A.
Leader, Philip Whiteway
Conductor, E. GODFREY BROWN
HOOTON MITCHELL (baritone)
by BERKELEY MASON from the Concert Hall, Broadcasting
The Practice and Science of Gardening
' The Principles of Manuring'
B. A. KEEN , D.Sc., F.R.S.
'The Major Scale; Simple Triple
THOMAS ARMSTRONG , D.Mus.
Music by Mendelssohn
Cortot (pianoforte), Thibaud (violin),
Casals (violoncello) : Trio in D minor, Op. 49-2. Andante con moto tranquillo
The International String Octet:
Octet in E flat, Op. 20-3. Scherzo: Allegro leggierissimo
The London Philharmonic Orchestra, conducted by Sir Thomas Beecham , Bart. : Concerto in E minor-2. Andante
The Boston Symphony Orchestra, conducted by Kussevitsky : Symphony No. 4 in A, Op. 90 (The Italian) -1. Allegro vivace
Arthur Fear (bass) : It is enough
The Berlin Philharmonic Choir, conducted by Siegfried Ochs , soloist, Ursula van Dieman (soprano): Ave Maria (Lorelei)
Early Stages in German
LILLY PHILLIPS (violoncello)
ANNE MUKLÉ (pianoforte)
The London Philharmonic Orchestra, conducted by Efrem Kurtz : Ballet Music, Aurora's Wedding (Tchaikovsky) — Overture, Polonaise. Adagio, Variations, Bluebird, The Three Ivans, Adagio, Pas de quatre, Mazurka
The Berlin Philharmonic Orchestra, conducted by Alois Melichar : Entry of the Princess Pralinee (Schlagobers) (Whipped Cream) (Richard Strauss )
' The Dancing English'
In this interesting talk Melusina Wood is to trace the history of social dancing in England and to stress its value to us today in showing in the clearest way possible the spirit of its own time. In the Middle Ages women were hampered by long heavy robes, the men were often tired after a tournament or a hunt, so the steps were few and simple, the typical court dance processional. In the sixteenth century the Renaissance changed everything. Men's minds quickened and dances quickened too, showing every intricacy of step and rhythm to appeal to the mind. The galliard became popular as an exercise ' both violent and swift '.
Melusina Wood , who has been collecting material for a book on the history of social dancing, is to bring to the microphone her own pianist, who will illustrate various types of social dance.
WILLIAM BIGGS (tenor)
including Weather Forecast
This evening Anthony Hurd is to bring to the microphone R. W. Simson , who has farmed both in New Zealand and in Sussex, and they will discuss the condition of farming in this country and over there.
Margaret Godley Bradbridge White Rosalind Rowsell Martin Boddey Gladys Winmill Stanley Riley Doris Owens Samuel Dyson
Conductor, LESLIE WOODGATE
ALBERT VOORSANGER (violin)
The Fifth Edition of a Fortnightly Topical Review of the World's Entertainment
Featuring Personalities and News of the Stage, Screen and Microphone
Devised by BERTRAM HENSON
Introduced by HENRY KENDALL
(By arrangement with Warner Brothers First
National Productions, Ltd.) with THE BBC VARIETY ORCHESTRA
Conducted by CHARLES SHADWELL
Produced by JOHN WATT
(By permission of the Savvy Hotel, Ltd.) with BRIAN LAWRANCB
ANNE LENNER and THE THREE Ginx
Compere, JAMES DYRENFORTH
including Weather Forecast and Forecast for Shipping
A Programme by EDWIN Muir
( See the article by Edwin M uir on page 13)
Led by LAURANCE TURNER
Conducted by STANLEY CHAPPLE
The story of Daudet's play relates how a young Provencal farmer is torn between a passion for a dancer of Aries, a neighbouring town. and his repulsion against what he realises has been her life in the past. He cannot forget her, nor can he overlook her unworthiness, and takes his own life as a way out of his tragic dilemma. The Prelude epitomises the dramatic elements of the play ; the Minuet is a solo for' flute with harp accompaniment ; the Adagietto, for muted strings only, accompanies, in the play, the meeting of the hero's mother and her former lover whom she has not seen for fifty years.
directed by SYDNEY LIPTON from Grosvenor House, Park Lane