Listings
Ⓓ From page 36 of ' When Two of Three '
(D) , at 10.30
at the Organ of the Paramount Theatre,
Manchester
Directed by ALFRED VAN DAM from the Troxy Cinema
Music from the Film, It's Love Again
Contributors
Directed By:
Alfred
Van
HERBERT DE LEON (baritone)
, at 2.0
Directed by RUSSELL SMYTHE from the Imperial Hotel, Blackpool
Contributors
Directed By:
Russell
Smythe
Directed by PHILIP MARTELL from the Commodore Theatre,
Hammersmith
Contributors
Directed By:
Philip
Martell
Talks for Listeners at Leisure in the Afternoon
What do you Think?
A Working Democracy-an Impression of Scandinavia
KINGSLEY MARTIN
The British Light Orchestra, conducted by Stephen S. Moore : March (Occasional Oratorio) (Handel).
The London Symphony Orchestra, conducted by Leo Blech : Serenade for Orchestra, Op. II (Brahms). 1. Scherzo in D ; 2. Minuet in A.
The New York Philharmonic Symphony Orchestra, conducted by Toscanini : Symphony No. 35 in D (The Haffner) (Mozart) 1. Allegro con spirito ; 2. Andante ; 3. Minuetto ; 4. Finale: Presto
Contributors
Unknown:
Stephen S.
Moore
Conducted By:
Leo
Blech
Tina Bonifacio (harp) Harry Dyson (flute)
Gethyn Wykeham-George (violoncello)
Contributors
Flute:
Harry
Dyson
including Weather Forecast and Bulletin for Farmers
Leader, Alfred Cave
Conducted by REGINALD BURSTON
Contributors
Conducted By:
Reginald
Burston
This evening the Minister who was responsible, until recently, for the administration of the Ancient Monuments Acts is to show how the aim of his former department, the Office of Works, is not only to preserve our national monuments but to make them better known to the visiting public. In the twenty-three years the Office of Works has been in existence it has got together a highly trained staff who carry out work of repair as inconspicuously as possible. They are often called on to put right serious troubles. When they took over Furness Abbey, for instance, the walls of the north transept, sixty feet high, were in danger of collapse.
Mr. Ormsby-Gore will suggest some of the beautiful abbeys, castles, and so forth, in various part of Great Britain, that are well worth a visit on one's holiday. At most of these ' still living witnesses of our history ', guide-books and photographs are to be obtained.' Mr. Ormsby-Gore is now writing a series of short illustrated regional guides covering all the monuments in the custody of the Office of Works.
(pianoforte)
Sonata in A minor, Op. 42
I. Moderato ; 2. Andante poco moto ; 3. Scherzo : Allegro vivace ; 4. Rondo : Allegro vivace
Katharine Goodson , who now enjoys an international reputation as a pianist, played both the violin and piano as a child, and at the age of twelve made her debut in public as a pianist. She studied at the Royal Academy of Music and later with Leschetizky in Vienna. For many years Miss Goodson has appeared as a soloist at the Proms and in her interpretation of the concertos of Brahms and Beethoven she has few equals among women pianists.
Contributors
Unknown:
I.
Moderato
Unknown:
Katharine
Goodson
with HELEN McKAY
Compère, LESLIE MITCHELL
Contributors
Unknown:
Helen
McKay
Unknown:
Leslie
Mitchell
including Weather Forecast and Forecast for Shipping
from St. Michael's, Chester Square
Conducted by the Rev. W. H. ELLIOTT
Organist, Reginald Goss-Custard
Contributors
Organist:
Rev. W. H.
Elliott
Organist:
Reginald
Goss-Custard
(Section E)
Led by LAURANCE TURNER
Conducted by JOHN BARBIROLLI
TREFOR JONES (tenor)
The ' Froissart ' Overture was the work with which Elgar made his first appearance at one of the great English Festivals-at Worcester, in 1890. It thus did a good deal to spread his fame, and was probably the first of his larger works to arouse anything at all like the interest which was even then his due. At the head of the score there is a quotation from Keats : ' ... when Chivalry lifted up her lance on high ' ; and Ernest Newman tells us that the Overture took shape in its composer's mind from that passage in Sir Walter Scott 's ' Old Mortality ', where Claverhouse speaks to Morton of his enthusiasm for the Froissart ' Chronicles.' The music is indeed eloquent of Elgar's idealized view of the old-world chivalry which Froissart presents to us with so much romance.
Contributors
Unknown:
Laurance
Turner
Conducted By:
John
Barbirolli
Conducted By:
Ernest
Newman
Unknown:
Sir Walter
Scott
from San Marco
, at 11.30