Listings
(R) From page 45 of ' When Two or Three'
Olipole'
BARNARD ELLINGER
Tossy Spiwakowsky (violin) : Introduction and Tarantelle, Op. 43 (Sarasate) Sarabande (Mouret)
William Murdoch (pianoforte) : Ballade No. 3, in A flat, Op. 47, and Waltz in F (Chopin)
Lauri Kennedy (violoncello) with Dorothy Kennedy (pianoforte) : Old Scotch Melody (arr. Kennedy) ; Hungarian Rhapsody (Popper)
Contributors
Pianoforte:
William
Murdoch
Unknown:
Lauri
Kennedy
Pianoforte:
Dorothy
Kennedy
German Dialogue - 3
'Im Garten'
F. Rippe, D.Phil., and M. Von Tresckow
Contributors
Unknown:
F.
Rippe
Unknown:
M.
von Tresc
Leader, Alfred Barker
Conductor, T. H. MORRISON
Contributors
Leader:
Alfred
Barker
Conductor:
T. H.
Morrison
From The Concert Hall,
Broadcasting House
The Practice and Science of Gardening—5
' The Soil and Humus '
B. A. KEEN , D.Sc., F.R.S.
2.25 Interlude
2.30 Music, Course I
Introductory Lesson-3
' Triple Time and the Tonic Chord as a Melodic Group '
ERNEST READ
Contributors
Unknown:
B. A.
Keen
Mischa Levitzki (pianoforte) : Sonata in G minor, Op. 22 (Schumann)— i. Vivacissimo; 2. Andantino; 3. Scherzo and Rondo
Ria Ginster (soprano), with Gerald Moore (pianoforte) : Die Mainacht, Op. 43, No. 2, Treue Liebe , Op. 7, No. 1, and Botschaft, Op. 47, No. 1 (Brahms)
Mischa Levitzki (pianoforte) : Nocturne in F sharp, Op. 15, No. 2 (Chopin) ; Etude de concert in D flat, No. 3 (Liszt)
Contributors
Pianoforte:
Mischa
Levitzki
Pianoforte:
Gerald
Moore
Unknown:
Treue
Liebe
Pianoforte:
Mischa
Levitzki
Early Stages in German
Lesson 5
A. HERMANN WINTER
3.55 Interval
Contributors
Unknown:
A.
Hermann
JOSEPH SLATER (flute)
MARIE KORCHINSKA (harp) (First broadcast performance in England)(First broadcast performance in England)
Joseph Slater comes of a not very musical family and took to flute-playing more or Jess accidentally. As a boy he used to ' mess about' (as he says) with a penny whistle with such success that his father thought he 'had better have a decent one to play on '. The 'decent one ' took the form of a piccolo, and at the age of ten young Slater found himself launched on a career as a flautist. He made his first London appearance in 1922 and broadcast first in 1924. He has been doing it ever since !
Marie Korchinska was born in Moscow and studied at the Conservatoire there, winning its much-prized Gold Medal and soon afterwards becoming harp professor in succession to her teacher. During the last few years she has been living in England.
Contributors
Flute:
Joseph
Slater
Harp:
Marie
Korchinska
Unknown:
Joseph
Slater
Unknown:
Marie
Korchinska
Conductor, J. D. ScoiNS
(From Newcastle)
Contributors
Conductor:
J. D.
Scoins
including Weather Forecast and Bulletin for Farmers
Sonatas for Pianoforte and Violin
Played by DAVID WISE (violin) and EILEEN JOYCE (pianoforte)
Sonata in E flat (K.26) i. Molto allegro; 2. Adagio poco andante; 3. Rondo: Allegro
Sonata in G (K.27) i. Andante poco adagio ; 2. Allegro
Sonata in G (K.28) i. Allegro maestoso; 2. Allegro grazioso
(Composed 1765 at The Hague)
Contributors
Played By:
David
Wise
Pianoforte:
Eileen
Joyce
Ambrose Heath is well known as a brilliant culinary journalist and broadcaster, but tonight he is to appear as himself. And as for some years he was closely connected with the fund organised to save the old Trafalgar battleship Implacable, listeners may perhaps expect some reference to the anniversary of commemoration today and to our greatest admiral. Trafalgar and the hen-coops on board the Victory are a far cry from the elaborations of modern cookery; and as spontaneity is the essence of success in such a one-way conversation as this series implies, listeners should not look for any evidence of the speaker's ruling passion. It will certainly not be a cookery talk, though it may have food as its raison d'être.
The Producer-A Talk on his Job
E. MARTIN BROWNE
Contributors
Unknown:
E. Martin
Browne
No. 3
Another Jolly, Joyous, Jubilant
Jamboree for Jaded Nerves
Forget your worries-lose your cares and join our party at 8 p.m.
(Carriages at 8.45)
Guests :
THE Two RHYTHM BROTHERS
(Jack Lorimer and Ronald Hill)
This is their second offence LANCE FAIRFAX His first offence (He doesn't know) SYDNEY JEROME, An old 'lag' NORMAN LONG An older 'lag' JACK WYNNE (as Jim Emery) The Gentleman's Gentleman THE TWO MESSENGER BOYS and STANELLI, only the Host Devised and written by STANELLI Additional script by TED CAVANAGH and BARRY BERNARD: Produced by BRYAN MICHIE (N.B. Tea and Buns will be served during the Party) (See the article by Stanelli on page 5)
Contributors
Unknown:
Jack
Lorimer
Unknown:
Ronald
Hill
Here is a talk haunted by the unknown terrors of the darkness in the Angola bush, in Portuguese West Africa, when who knows what horror may be the fate of the man who is left behind ! Listeners will remember that Commander R. F. Lee-Dillon, who tells his own story this evening, gave a talk not so long ago about his experiences in the Foreign Legion. Previous to his service with it, he held a commission in our Navy.
No. 3
'At Mickey's Gala Premier'
Where you will meet some other film stars who have come to view Mickey's first detective thriller
'Who Killed Cock Robin?'
As well as Mickey Mouse
(By special permission of Walt Disney Mickey Mouse, Ltd.)
Adapted for broadcasting from the film cartoons by JOHN WATT and WALLY WALLOND
Book by HENRIK EGE
THE B B C VARIETY ORCHESTRA
Conducted by STANFORD ROBINSON
Master of Ceremonies, JOHN WATT
Mickey 'has almost succeeded in becoming that rather dull thing, a National Figure. The only thing that stops him is that he can't be dull'.
So wrote John Watt in a recent issue of THE RADIO TIMES.
Created more than seven years ago by Walt Disney, Mickey Mouse and company immediately delighted low-brows and highbrows alike; and his broadcasting antics are proving a similar success.
Contributors
Unknown:
John
Watt
Unknown:
Wally
Wallond
Book By:
Henrik
Ege
Conducted By:
Stanford
Robinson
Unknown:
John
Watt
including Weather Forecast and Forecast for Shipping
Frederick Grinke (violin);
Florence Hooton (violoncello) ; Dorothy Manley
(pianoforte)
Reader, GEORGE RYLANDS
Although nobody, considering the question in cold detachment, could be quite sure which of the two splendid
Trios by Schubert is his favourite, most people are quite certain, while actually hearing one or other that it is not only the finer of the two but among the best chamber music existence.
In the present age of hurrv, when nobody has time to spare, it is sometimes criticised as being too long and too full of repetitions. But all of it is so splendidly melodious, so full of a the grace and charm which Schubert, almost more than any other master knows how to give us, that few would wish to have it shortened.
The bold, sweeping tune, with which it opens, is irresistible, and so is the laughing gaiety of most of the last movement; the other two, each in Its way, form real contrasts with what goes before and comes after, and in spite of its length, the Trio has a wonderful sense of compactness.
Contributors
Violin:
Frederick
Grinke
Violin:
Florence
Hooton
Pianoforte:
Dorothy
Manley
Reader:
George
Rylands
'That time of year thou mayest in me behold (Shakespeare)
Stanzas from 'Elegy written in a Country Churchyard' (Gray)
' To Autumn ' (Keats)
' Old Song ' (Fitzgerald)
' In a Wood ' (Thomas Hardy)
' Spring and Fall ' (G. M. Hopkins )
Contributors
Unknown:
G. M.
Hopkins
Directed by CHARLES KUNZ
Relayed from Casani's Club
Contributors
Directed By:
Charles
Kunz