From page 21 of When Two or Three'
Mr. RONALD CROSS , M.P.
Directed by Norman Austin
The New Victoria Cinema, Edinburgh
By CHRISTOPHER STONE
2 (-2.25) Tracing History
Commander STEPHEN KING-HALL :
2.30 (-2.50) ' King's English-19
Professor A. LLOYD JAMES : Speech
Relayed from WESTMINSTER ABBEY
German Dialogue: 4
Dr Ernst Deissmann and Fraulein I. Herrmann: Auf dem Wochenmarkt
Directed by Guy Daines
William G. McLeod (baritone)
Relayed from the Piccadilly Hotel
Weather Forecast, First General News Bulletin and Bulletin For Farmers
EARLY CONTINENTAL BAROQUE
Programmes arranged by Dr. ERNST HERMANN MEYER
RUDOLPH DOLMETSCH (violin and recorder)
CARL DOLMETSCH (recorder)
MILLICENT DOLMETSCH (viola da gamba)
LOUIS D'OLIVIERA (viola)
ANNE WOLFE (viola)
HERBERT BARR (Bach trumpet)
ERNEST LUSH (harpsichord)
North Germany; Scandinavia
(North Germany, 1631-1668)
Dr. Ernst Hermann
Senorita MARIA DE LAGUNA
Professor JOHN HILTON
IN HIS BROADCAST this evening Professor John Hilton will review our capitalist system under the heading Urges, Incentives, and Rewards.
The money end. Capital provision and commitments ; profit and loss; dividends and reserves. Shareholders, directors, and workers. The wage bill ; output; profit incentive and wage incentive. Systems of wage payment. Making money, and business building; a shift of attitude. These are some of the matters which Professor Hilton will discuss.
In his talk next Thursday he will deal with Rationalisation.
The Story of Wales through the Ages
Produced by CYRIL WOOD
Weather Forecast, Second General
Mr. VERNON BARTLETT
DAVID WISE (violin)
JAN SMETERLIN (pianoforte)
JAN SMETERLIN was born in Bielsko, Poland. As is not uncommon with that nation of musicians Smeterlin began his career as a child; at the age of eight he was appearing as solo pianist accompanied by an orchestra. In the eyes of his father, this looked ominous ; the boy might conceivably grow up to be a genius, and geniuses, as is well known, make no money ; so he was set to study law. Young Jan thought otherwise and, unknown to his father, competed for a scholarship at the Vienna Meisterschule and, having won it., settled in his own mind what he would be. His first intention was to become a conductor, but so admirable a pianist was he already, that his masters dissuaded him from his first intention and pinned him to a second-that of becoming a pianist. He was about to make his début when the War intervened, and his public career dates actually from 1919. Since then he has been acclaimed in every European country and in more than one continent. As a virtuoso his tastes are catholic; naturally, being a Pole, he inclines to Chopin and his Chopin playing is, as listeners know, extraordinarily beautiful. But his sympathies are not confined to the romantic, or even to the classical schools. He is an ardent modernist and plays the music of his own generation with the understanding appreciation of a contemporary. It is significant that he is fluent in several languages, for his musical tastes are as fluent in as many idioms.
WIENIAVSKI, the son of a doctor in Poland, showed his musical bent so early that at the age of eight he was allowed to enter the Conservatoire in Paris, winning the first prize for violin playing when he was only eleven. Most of his busy life was spent in concert tours, and even after his health was failing, he continued to make brilliantly successful appearances. In one of his last concerts he was seized by sudden illness and had to break off; Joachim, who was in the audience, stepped on to the platform and, taking Wieniavski's fiddle, finished the piece, to the delight of the audience. His own mastery of the instrument was so complete that his music for it is difficult and brilliant, demanding fine execution; it is all, however, so admirably suited to the violin that its popularity is inevitable.
Conducted by the Rev. W. H. ELLIOT
St. Michael's, Chester Square
Rev. W. H.
THE B.B.C. DANCE ORCHESTRA
Directed by HENRY HALL
(Shipping Forecast, on Daventry only at 11.0)