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Listings

: ' NEW WAYS FOR HARD TIMES '—XV

Mr. G. W. GILES : Organizing and Planning for the Future '

Contributors

Unknown: Mr. G. W. Giles

: EDWARD O'HENRY

At THE ORGAN of TUSSAUD'S CINEMA

: Experimental Transmission for the Radio

Research Board by the Fultograph Process

: A Sonata Recital

HILDEGARD ARNOLD (Violoncello)
BERNARD CROOK (Pianoforte)
IN 1809, the firm of Breitkopf and Haertel contracted with Beethoven to publish two of his Symphonies, the Fifth and Sixth, two Pianoforte Trios, and this Violoncello Sonata. It was Beethoven's first transaction with the Leipzig firm, which was, even then, as important a music publishing house as any in the world. At tlio beginning of last century the firm had already plunged into the policy of publishing the complete works of the great masters. Mozart was being brought out in seventeen volumes, Haydn in twelve, and others, too, were in hand. Half a century later it was Beethoven s turn, and in twenty years more he was finally and completely represented in Breitkopf and Haertel's monumental edition of thirty-four volumes.

: THE GROSVENOR HOUSE ORCHESTRA

Directed by JOSEPH MEEUS
From GROSVENOR HOUSE, PARK LANE

Contributors

Directed By: Joseph Meeus

: The Children's Hour

' The Toytown Mystery ' (S. G. Hulme -
Beaman)
With incidental music by THE OLOF
SEXTET

Contributors

Unknown: G. Hulme

: ' The First News '

WEATHER FORECAST, FIRST GENERAL
News BULLETIN ; London Stock Exchange Report and Bulletin for Farmers

: The Foundations of Music

HAYDN PIANOFORTE TRIOS played by THE WEST REGIONAL TRIO
Trio No. 6, in D
Allegro; Andante ; Allegro ma dolce
Trio Ko. 17, in G Minor
Andante ; Presto
(From West Regional)

: FRENCH TALK

Monsieur E. M. STÉPHAN

: The Wireless Military Band

Conductor, B. WALTON O'DONNELL
PATRICIA ROSSBOROUGH (Pianoforte)
T ORENZO DA PONTE, author of the libretto of the opera, Don Giovanni , was a combination of poet and adventurer typical of the artistic and the operatic world in the eighteenth century. He was born in the Ghetto, entered the Roman Catholic priesthood, achieved an unsavoury notoriety and was presently expelled from Venice. As a poet, however, of decided talent, he was appointed to the Italian Opera in Vienna,, and had the great distinction of writing the libretto, first of Mozart's Le Nozzc di Figaroa brilliant adaptation of Beaumarchais's comedy—and then of Don Giovanni. It appears to have been the custom in those days for the principal European opera houses to carry an official librettist, or poet as he was called, on the staff. Da Ponte made it his profession, as the celebrated Metastasio had done before him. He attempted on two occasions to secure the post of poet to Drury Lane Theatre in London, but without success, Badini, a rival, getting there first. He subsequently went to America, lived there adventurously for the rest of his life and wrote a volume of very entertaining Memoirs.
FORTY years separated Puccini's first opera, Le Villi, from his last, Turandot.
Ho was twenty-six when, as an impecunious student, he entered Le Villi for a competition. The judges did not even notice it, but Puccini had friends and the little work was not lost. In due time he writes to his mother : ' I am giving my little opera at the Dal Verme ... the expense of production is being shared by many gentlemen of Milan.....' Boito, the poet and composer of Mefistofele, contributed and was one of his most active supporters. The performance had a success, and Puccini was taken up by Guilio Ricordi , the publisher, who not only commissioned him to write another opera, but made him an allowance to enable him to do so.

Contributors

Conductor: B. Walton O'Donnell
Pianoforte: Patricia Rossborough
Unknown: Don Giovanni
Unknown: Don Giovanni.
Unknown: Da Ponte
Unknown: Guilio Ricordi

: ' ARTISTS AT WORK '—I

' How to appreciate Art'
A Dialogue between Mr. STANLEY Casson and A Philistine
THESE talks are intended to bring before listeners who are interested in art the artist's rather than the critic's point of view. Mr. Stanley Casson will, in the course of the series, interview Mr. Frank Dobson (sculptor), Mr. Henry Rushbury (etcher), Mr. Albert Rutherston (painter) and Mr. Edward Halliday (portrait painter), with the idea of getting at the aims and methods of these different kinds of artist. A brief biography of Mr. Casson appears on page 78.

Contributors

Unknown: Mr. Stanley Casson
Unknown: Mr. Stanley Casson
Unknown: Mr. Frank Dobson
Unknown: Mr. Henry Rushbury
Unknown: Mr. Albert Rutherston
Unknown: Mr. Edward Halliday

: ' The Second News '

WEATHER FORECAST, SECOND GENERAL NEWS
BULLETIN

: ELSIE RANDOLPH

in 'Merry-go-Round'
Presented by REx EVANS
Produced by C. DENIS FREEMAN
($ee centre of page)

Contributors

Presented By: Rex Evans
Produced By: C. Denis Freeman

: A Violoncello Recital

by CEDRIC SHARPE

Contributors

Unknown: Cedric Sharpe

: DANCE MUSIC

Roy Fox and his BAND, from MONSEIGNEUR

Contributors

Unknown: Roy Fox








About this project

This site contains the BBC listings information which the BBC printed in Radio Times between 1923 and 2009. You can search the site for BBC programmes, people, dates and Radio Times editions.

We hope it helps you find information about that long forgotten BBC programme, research a particular person or browse your own involvement with the BBC.

Through the listings, you will also be able to use the Genome search function to find thousands of radio and TV programmes that are already available to view or listen to on the BBC website.

There are more than 5 million programme listings in Genome. This is a historical record of the planned output and the BBC services of any given time. It should be viewed in this context and with the understanding that it reflects the attitudes and standards of its time - not those of today.

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Genome is a digitised version of the Radio Times from 1923 to 2009 and is made available for internal research purposes only. You will need to obtain the relevant third party permissions for any use, including use in programmes, online etc.

This internal version of Genome, which includes all the magazine covers, images and articles as well as the programme listings from the Radio Times, is different to the version of BBC Genome that is available externally/to the public. It is only available inside the BBC network.

Your use of this version of Genome is covered by the BBC Acceptable Use of Information Systems Policy and these terms.

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