Listings
: Mr. AUBREY DE SELINCOURT : ' Three Plays of Shakespeare '-An Introduction
THIS is the first of a series of eleven talksJ- in which Mr. de Selincourt. who is a master at Lynam's School, Oxford, will give a course on Julius Cœsur, Macbeth, and the Second Part of Henry IV.
Contributors
Unknown:
Mr.
de Selincourt.
: Prof WINIFRED CULLIS : ' Health and Common Seuse—On Eating and Drinking—I'
THIS series of talks has been arranged in consultation with the Federation of Women's Institutes. Professor Winifred Cullis. who gives the talks, is Professor of Physiology in the University of London, President of the British and Vice-President of the In. ternational Federation of University Women. She will treat of health from a very informal and practical standpoint.Contributors
Unknown:
Professor Winifred
Cullis.
: THE HENRY BRONKHURST TRIO
HENRY BROSRHURST (Pianoforte),JULIUS ROSTAL (Violin).
EDWAND J. ROBINSON (Violoncello);
AUBREY MILLWARD (Baritone)
Contributors
Violin:
Julius
Rostal
Baritone:
Aubrey
Millward
: THE CHILDREN'S HOUR
Part-Songs by The Chelsea Singers: The Story of 'The Four Little Children (Edward Lear): Railway Dialogue— 'The Train that Goes to Sea,' by Cecil J. Allen: Organ Recital
by REGINALD FOORT, relayed from the Kew Gallery Kinema: MINISTRY OF HEALTH TALK : Dr. J. A. GLOVER, ' How to Keep Fit at Fifty '
THE athletic world has seen several instances of freaks who seemed to retain their physical youth" long after the normal span-followers of boxing will remember that ageless phenomenon, the Dixie Kid. All of us cannot expect to be able to fight twenty rounds or row a full course at the age of fifty, but anybody with average health can keep his ordinary, practical fitness till even after that age. In his talk today. Dr. Glover will sketch out the lines on which this can be done.: MACDOWELL
Played by ETHEL WALKERThe ' Keltic ' Senata Second and Third Movements
IN the. SECOND MOUVEMENT of the ' Keltic '
Sonata MacDowell dwells upon the lovely
Deirdre. He puts at the head of the Movement the direction ' with naive tenderness.' It opens with a slow melody, whose sweeping supporting chords remind us of the harpers of old who sang their ballads to their own accompaniment. The theme is somewhat developed, with rapidly-increasing emotion, until the entry of the Second Main Tune. Ever broader and more dignified becomes the music until, 'stately and sonorous,' the First Tiine returns, to (lie away extremely softly at the end.
In the LAST MOVEMENT, 'very swift and fierce,'
MacDowell suggests the scene of Cuchullin's death after being wounded in battle.
Contributors
Played By:
Ethel
Walker
: Prof. F. E. Weiss, F.R.S., 'Plant Communities—I, In Woodlands.' S.B. from Manchester
THIS is the first of a series of talks in whichProfessor Weiss will let listeners into some of the secrets of plant life—a subject on which he is an acknowledged expert. He has occupied the Chair of Botany in tho University of Manchester since 1892, and is a past Vice-President of the University ; and his name is well known to readers of the botanical periodicals
: VICTOR HELY-.HUTCHINSON (Pianoforte)
Variations on Mary had a Little Lamb ' in the styles of Ten Composers .. Edward BallantineMozart : Agnelletto in C
Beethoven : Adagio (der Griifin von Lämmlein-
Plutchsky (dedicated to the Countess Lämmlein-Plutchsky)
Schuhert : Demi moment musical Chopin : Nocturne (Posthumous)
Wagner; Sacrificial Scene and Festmahl from the Tenth Act of Lammfell Tchaikovsky : Valse Funebre (Funeral Waltz) Grieg : Mruks Klonh Lmbj MacDowell : 'At a Lamb '
' Far off awhere the Keltic sun
Doth fold its fading feet.
A lassie croons a pedal point,
A lamb suspends a bleat.
Debussy : The Evening of a Lamb
Liszt : Grand Concert Study ' for the two hands, the arms, the shoulders and the liair '
MR. BALLANTINE, the Composer of these
MR parodies, is an American Composer,, n member of the musical staff at the University of Harvard.
Parody in music is not very common. It is more difficult here than in n literary parody to avoid mere imitation of u composer's mannerisms, and to give instead a synthesis of his style, as we get it in J. C. Squire's or Owen Seaman 's parodies. The slightly broader manner of Bret Harte '.s Condensed Novels is perhaps more fitting. The effects must. almost necessarily, be clear-cut and the points quickly made.
In most of the imitations in this piece (which is published by Hawkes) the music and the titles speak for themselves.
Contributors
Unknown:
Edward
Ballantine
Unknown:
Lammfell
Tchaikovsky
Unknown:
Mruks Klonh
Lmbj
Unknown:
Owen
Seaman
Unknown:
Bret
Harte
: THE WORKS OF ARTHUR WOOD
THE WIRELESS ORCHESTRAConducted by ARTHUR WOOD
Musical Director Daly's Theatre
(By permission of Mr. JAMES WHITE )
Suite, ' My Native Heath '
Knaresboro' Status : Ilkley Tarn ; Bolton Abbey ; Barwick Green
Memories of Daly's
Contributors
Conducted By:
Arthur
Wood
Unknown:
Mr. James
White
: THE ANNUAL DEMONSTRATION OF THE BOYS' BRIGADE
Speech by the HON. PRESIDENT,H.R.H. PRINCE ARTHUR OF CONNAUGHT
Response by the Hon. London President,
Sir WILLIAMS JOYNSON-HlCKS , M.P.
Relayed from the Royal Albert Hall
Contributors
Unknown:
Sir Williams
Joynson-Hlcks
Unknown:
Albert
Hall
: POPULAR ORCHKSTRAL PROGRAMME
THE WIRELESS ORCHESTRAConducted by ARTHUR WOOD
Overture, ' The Arcadians '
Selected and arranged for Orchestra by ARTHUR WOOD
Contributors
Conducted By:
Arthur
Wood
Unknown:
Arthur
Wood
: Mr. J. C. STOBART Readings from Four Rugby School Poets
W. S. LANDOR (1775-1864). A. H. CLOUGH (1819―1861), MATTHEW ARNOLD (1822-1888),RUPERT BROOKE (1887-1915)
ALL the four poets from whose works Mr.
Stobart—who is Director of Education of the B.B.C., and himself an old Rugbeian—Is to read tonight were Rugby men, and it is possible to trace a common quality in their style. All of them possess a certain precision of phrase that may or may not be due to that rigorous training in classical verse-writing which was the foundation of education at Rugby School when Landor went there at the end of the eighteenth century, as in Rupert Brooke 's schooldays in the present century. Listeners will be able to judge for themselves when they have heard the extracts that Mr. Stobart will read.
(Pictures on page 207.)
10.0 THE ORCHESTRA
Selection from ' The Blue Mazurka ' .... Lehar
Arranged for Orchestra by ARTHUR WOOD
Contributors
Unknown:
A. H.
Clough
Unknown:
Matthew
Arnold
Unknown:
Rupert
Brooke
Unknown:
Rupert
Brooke
Unknown:
Arthur
Wood
: ' OUR PANTOMIME '
Lyrics by EDWARD TESCHEMACHERMusic by HERBERT OLIVER
KATE WINTER (Soprano)
ETHEL FENTON (Contralto)
LEONARD GOWINGS (Tenor) ASHMOOR BURCH (Baritone)
Contributors
Unknown:
Edward
TeschemacHer
Music By:
Herbert
Oliver
Contralto:
Ethel
Fenton
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