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The Prince and the Pauper

Synopsis

We have produced a Style Guide to help editors follow a standard format when editing a listing. If you are unsure how best to edit this programme please take a moment to read it.
by MARK TWAIN
Dramatised in six parts by RICHARD HARRIS
Prince Edward, dressed in Tom's rags, has lost his way in the city and fallen into the hands of Tom's brutal father. At the palace Tom, wearing Edward's robes, is faced with the daunting prospect of a meeting with the king. Episode 2
Studio lighting PETER CATLETT Studio sound CLIVE GIFFORD Script editor ALISTAIR BELL Designer KENNETH SHARP Director BARRY LETTS

Contributors

Unknown: Richard Harris
Unknown: Clive Gifford
Editor: Alistair Bell
Designer: Kenneth Sharp
Director: Barry Letts
John Canty: Ronald Herdman
Tom Canty: Nicholas Lyndhurst
Page: Darren Hatch
Princess Elisabeth: Nina Thomas
Prince Edward: Nicholas Lyndhurst
Father Andrew: Donald Eccles
Lord Hertford: Bernard Kay
Lord Sudbroke: Martin Friend
Lord Rushden: Ronald Lacey
Nan Canty: Tilly Vosburgh
Mother Canty: June Brown
Grandma Canty: Maria Charles
Courtier: Jill Johnson
Courtier: Sally Osborn
Courtier: Mark Elwes
Courtier: Andrew Staines
King Henry: Ronald Radd
Physician: Leslie Glazer
Royal tutor: Neville Barber
Prigger: Thomas Heathcote

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The Prince and the Pauper

BBC One London, 11 January 1976 16.55






About this project

This site contains the BBC listings information which the BBC printed in Radio Times between 1923 and 2009. You can search the site for BBC programmes, people, dates and Radio Times editions.

We hope it helps you find information about that long forgotten BBC programme, research a particular person or browse your own involvement with the BBC.

Through the listings, you will also be able to use the Genome search function to find thousands of radio and TV programmes that are already available to view or listen to on the BBC website.

There are more than 5 million programme listings in Genome. This is a historical record of the planned output and the BBC services of any given time. It should be viewed in this context and with the understanding that it reflects the attitudes and standards of its time - not those of today.

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