We have produced a Style Guide to help editors follow a standard format when editing a listing. If you are unsure how best to edit this programme please take a moment to read it.
MAY Busby (Soprano) JEAN POUGNET (Violin)
DOUGLAS CAMERON (Violoncello)
HARRY ISAACS (Pianoforte)
MOZART wrote seven Piano Trios (i.e., works of the ' Sonata' type for Piano, Violin, and Violoncello). Their order varies in different editions ; this one, however, may easily be identified, as it is the only one in E Major and is numbered K. 642. The work is in three Movements.
FIRST MOVEMENT (Quick).-This Movement is as clear in design as it well could be. It is in ' First-Movement ' form, i.e., two main tunes are given out, 'developed' in a free way; then ' recapitulated.'
The Piano alone plays the whole of the first main tune at the opening, then repeats it with some help from the other two instruments.
A few scales and other little phrases follow, then the Violin plays a continuous tune--the second main tune. It is repeated by the Piano. In the light of what has been said, the rest of this Movement explains itself.
SECOND MOVEMENT (Moving along gracefully).—
This is a highly decorated Movement, but it is founded on a very simple (though rather long. tune which is played at the opening by the Piano) The tune itself contains a good deal of repetition, and the other two instruments join in each time a sentence is repeated.
THIRD MOVEMENT (Quick). —This is a, typical
Finale—full of intricate details, but spontaneous in its effect.
THIS was originally written for Pianoforte,
Violin, and Horn. There are four Movements.
FIRST MOVEMENT.-A rather slow one. It opens with the first main tune, in two-time, given first to Violin and then to Horn.
The second main tune (again introduced by the Violin) is much more animated, and is easily recognisable, as it is in three-time.
SECOND MOVEMENT.—A Scherzo. The Piano races off with octaves in three-time. When the other instruments enter a moment later, it is with a bold phrase in two-time, the rhythmic contrast of which, whenever it appears, is one of the features of the Movement.
The Horn has a smooth second tune and then the two ideas are fully developed and repeated, and so the first part of the Movement closes. Its middle section (' Trio ') is much gentler. The first part is then repeated.
THIRD MOVEMENT.—This is an expressive Slow Movement.
Finale is a lively Movement, though not without its deeper moments.
JEAN POUGNET, HARRY ISAACS and DOUGLAS CAMERON Pianoforte Trio in E - Mozart
8.5 MAY Busby Treue Liebe dauert lange (True love endures long) - Brahms
Anakreon's Grab (Anakreon's Grave) - Hugo Wolf
Geduld (Patience) - Richard Strauss
Serenade - Brahms
8.25 JEAN POUGNET, HARRY ISAACS and Douglas CAMERON Trio in E Flat (Op. 40) - Brahms
Tell us more or contact us
Do you know something about this programme that we have not included above?
Or would you like to ask the Genome team a question?
At present this site reflects the contents of the
published Radio Times BBC listings. We will retain
information submitted to us for possible future use,
to help fill in gaps in the data and to help us bring
the BBC’s broadcast history to life, but we will
not be publishing it at this stage.
Do you know something about this programme that we have
not included in the listing?
Or do you have a question about this programme?
If so, would you like a reply?
If you have a question or would like to tell us more
about this programme and would like a response,
please email: email@example.com
NB: We cannot respond to information submitted from this form
About this project
This site contains the BBC listings information which the BBC printed
in Radio Times between 1923 and 2009. You can search the site for BBC
programmes, people, dates and Radio Times editions.
We hope it helps you find information about that long forgotten BBC
programme, research a particular person or browse your own involvement
with the BBC.
There are more than 5 million programme listings in Genome. This is a
historical record of the planned output and the BBC services of any
given time. It should be viewed in this context and with the
understanding that it reflects the attitudes and standards of its time
- not those of today.
To read scans of the Radio Times magazines from the 1920s, 30s, 40s and
50s, you can navigate by issue.
Feedback about Chamber Music, 2LO London, 19.45, 2 November 1928
Please leave this link here so we can find the programme you're
Welcome to BBC Genome
Genome is a digitised version of the Radio Times from 1923 to 2009 and
is made available for internal research purposes only. You will need to
obtain the relevant third party permissions for any use, including use in
programmes, online etc.
This internal version of Genome, which includes all the magazine covers,
images and articles as well as the programme listings from the Radio
Times, is different to the version of BBC Genome that is available
externally/to the public. It is only available inside the BBC network.