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Played by HILDA DEDERICH
Sonata No. 12, in F Major (K 332)
Allegro ; Adagio ; Allegro assai
THE Twelfth Sonata in F is a favourite work at the music lesson, and many pianists who rise to distinction retain their affection for it.
The FIRST of its three Movements opens with a flowing melody that might have been written for a soprano to sing, and this vocal quality appears in all its tunes.
It is still more evident in the SLOW MOVEMENT which follows (although the imaginary soprano in this case would have to be an adept with her high notes).
The THIRD MOVEMENT is more a matter for fingers to deal with. It swings and rushes and jumps along, musically speaking, with a pretty exhilaration from beginning to end.
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