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In at the Deep End

Synopsis

We have produced a Style Guide to help editors follow a standard format when editing a listing. If you are unsure how best to edit this programme please take a moment to read it.
Six films in which Chris Serle and Paul Heiney take it in turns to plunge in at the deep end and learn the hard way about a completely new world.
Film Actor
As an actor, Paul Heiney is an absolute beginner. Now he must work for the chance to play a brutal German mercenary who tries to throttle Michael Caine. The film is Water, a major new feature written and produced by Dick Clement and Ian La Frenais (creators of Porridge and The Likely Lads)
Paul goes to RADA hoping to become the most dangerous man you've ever seen. He visits Oliver Reed to ask how to play a screen heavy - and finds he has taken on more than he expected. A
Hollywood dialect doctor teaches him the German accent. And he must learn to fight like a trained killer.
Before Paul faces the camera, Billy Connolly and Brenda Vaccaro offer last-minute advice. Michael Caine 's tip is 'Say the lines as you would to anyone you disliked intensely - which is me in this case....'
Photography
MIKE SPOONER. PATRICK TURLEY Film editor ROD LONGHURST
Series producer EDWARD MIRZOEFF Producer NICK HANDEL
0 FEATURE: page 98 *CEEFAX SUBTITLES

Contributors

Unknown: Chris Serle
Unknown: Paul Heiney
Unknown: Paul Heiney
Unknown: Michael Caine.
Produced By: Dick Clement
Produced By: Ian La Frenais
Unknown: Oliver Reed
Unknown: Billy Connolly
Unknown: Brenda Vaccaro
Unknown: Michael Caine
Unknown: Mike Spooner.
Unknown: Patrick Turley

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About this project

This site contains the BBC listings information which the BBC printed in Radio Times between 1923 and 2009. You can search the site for BBC programmes, people, dates and Radio Times editions.

We hope it helps you find information about that long forgotten BBC programme, research a particular person or browse your own involvement with the BBC.

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There are more than 5 million programme listings in Genome. This is a historical record of the planned output and the BBC services of any given time. It should be viewed in this context and with the understanding that it reflects the attitudes and standards of its time - not those of today.

Feedback about In at the Deep End, BBC One London, 21.25, 24 October 1984
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