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The Afternoon on Three

Synopsis

We have produced a Style Guide to help editors follow a standard format when editing a listing. If you are unsure how best to edit this programme please take a moment to read it.
With Paul Guinery.
1.00 Poulenc and Faure
Richard Lester (cello)
Caroline Palmer (piano) Poulenc Sonata
Faure Romance in A;
Papillons; Sonata No 2 in G minor
2.00 Schools
The Song Tree 2.15
Storybox 2.25 Let's Move
2.45 First Steps in Drama
3.00 The BBC Orchestras
BBC Philharmonic Winds conductor Adrian Leaper
Mendelssohn Overture in C,
Op 24
Strauss Serenade , Op 7 Varese Integrates
Poulenc Suite française
FAIREST ISLE
3.45 National Trust
Instruments
Timothy Roberts plays the organ in Kedleston Hall, Derbyshire. Music by Handel, Stanley, Bennett and Burney.
4.30 Blue Angels, Blue Devils
The penultimate programme in Brian Morton 's series about jazz and the Nazis examines the impact of the genre in Vichy France and the occupied territories of Denmark, Czechoslovakia, Belgium and Holland. It features recordings made by guitarist
Django Reinhardt in 1940s Paris. A Gleneagle production

Contributors

Unknown: Paul Guinery.
Cello: Richard Lester
Piano: Caroline Palmer
Conductor: Adrian Leaper
Unknown: Strauss Serenade
Unknown: Timothy Roberts
Unknown: Brian Morton
Guitarist: Django Reinhardt






About this project

This site contains the BBC listings information which the BBC printed in Radio Times between 1923 and 2009. You can search the site for BBC programmes, people, dates and Radio Times editions.

We hope it helps you find information about that long forgotten BBC programme, research a particular person or browse your own involvement with the BBC.

Through the listings, you will also be able to use the Genome search function to find thousands of radio and TV programmes that are already available to view or listen to on the BBC website.

There are more than 5 million programme listings in Genome. This is a historical record of the planned output and the BBC services of any given time. It should be viewed in this context and with the understanding that it reflects the attitudes and standards of its time - not those of today.

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Feedback about The Afternoon on Three, BBC Radio 3, 12.55, 18 September 1995
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