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An Orchestral Programme

Synopsis

We have produced a Style Guide to help editors follow a standard format when editing a listing. If you are unsure how best to edit this programme please take a moment to read it.
Relayed from the National Museum of Wales
NATIONAL ORCHESTRA, OF WALES mCHAIKOVSKY has left it on record that while composing this Suite, which h is among th3 happiest and most carofreo of all his music, he was himself in a thoroughly depressed frame of mind. No hint of any dismal mood lias found its way into the music.
It was composed originally for a ballet by Dumas the elder, with the name ' Histoirc d'un Casse-Noisette ' (' The Tale of a Nutcracker '), in 1891, and in the following year Tchaikovsky arranged the movements which aro to be played this evening in the form of a Suite.
In tho first movement, the Overture, there are two principal themes, both of a delicate, almost miniature, order. The first especially is prominent throughout the movement.
A little March follows, also with dainty rhythm and melody, and the third tnovomeut has the happy title of Dance of the Sugar- Plum Fairy, It was in this movement that the Celeste made its first appearance in a concert orchestra. Tchaikovsky had heard the instrument in Paris soon after it was brought out by Mustel, and immediately determined that he must be the first composer to make use of it. He took a great deal of trouble to have it kept secret until the Nut-cracker music could bo heard. It is certainly used in this movement with the happiest effect.
'A scries of Dances follows, the first a Russian
Dance, a Trcpak, vigorous, energetic, and with a sense of out of doors ; an Arabian Dance comes next, with a dreamy, almost lazy, movement, and with a languorous effect made largely by the monotonous bass ; the next, a Chinese Dance, whimsical and bizarre ; again it is followed by a Reed Pipe Dance, delicate, fresh, and gracoful. These, although actually separate movements, are grouped together in the Suite, and though the last movement is also a dance, it stands separately. It is a Waltz with a fine flowing waltz tune such aa Tchaikovsky knew very well how to write.

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An Orchestral Programme

5WA Cardiff, 3 December 1928 13.15






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