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THE TUESDAY INVITATION CONCERT

Synopsis

We have produced a Style Guide to help editors follow a standard format when editing a listing. If you are unsure how best to edit this programme please take a moment to read it.
LAMAR CROWSON (piano)
DARTINGTON STRING QUARTET Colin Sauer. Peter Carter
Keith Lovell , Michael Evans PORTIA WIND ENSEMBLE
Mary Ryan
(alto-flute and piccolo) Mary Murdoch (oboe) Thea King (clarinet) Daphne Down
(clarinet and bass-clarinet) Valerie Smith (horn)
Deirdre Dundas-Grant
(bassoon and double-bassoon) with ISABEL SMITH (guitar)
MARIA KORCHINSKA (harp)
ALFRED FLASZYNSKI (trombone) JAMES BLADES (percussion) OLIVE ZORIAN (violin) HARRY DANKS (viola)
RAYMOND CLARKE (cello) , JOHN STEER (double-bass)
Conducted by BENJAMIN FRANKEL and JOHN CAREWE
Part 1
Piano Sonata in C major
(Haydn Society No. 50)
Haydn
Continued in next column
8.48* Catalogue of Incidents in Romeo and Juliet Benjamin Frankel for oboe, two clarinets. horn. bassoon. harp, percussion, violin. viola, cello, and double-bass
Conducted by the composer
BBC commission: 1st performance
9.10* Piano Trio No. 19, in D minor Haydn

Contributors

Piano: Lamar Crowson
Unknown: Colin Sauer.
Unknown: Peter Carter
Unknown: Keith Lovell
Unknown: Mary Ryan
Oboe: Mary Murdoch
Clarinet: Daphne Down
Horn: Valerie Smith
Bassoon: Deirdre Dundas-Grant
Harp: Alfred Flaszynski
Cello: Raymond Clarke
Conducted By: Benjamin Frankel
Conducted By: John Carewe
Conducted By: Juliet Benjamin Frankel

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THE TUESDAY INVITATION CONCERT

Third Programme, 8 December 1964 20.30






About this project

This site contains the BBC listings information which the BBC printed in Radio Times between 1923 and 2009. You can search the site for BBC programmes, people, dates and Radio Times editions.

We hope it helps you find information about that long forgotten BBC programme, research a particular person or browse your own involvement with the BBC.

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There are more than 5 million programme listings in Genome. This is a historical record of the planned output and the BBC services of any given time. It should be viewed in this context and with the understanding that it reflects the attitudes and standards of its time - not those of today.

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