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THE BBC NORTHERN IRELAND ORCHESTRA

Synopsis

We have produced a Style Guide to help editors follow a standard format when editing a listing. If you are unsure how best to edit this programme please take a moment to read it.
Leader, Philip Whiteway
Conducted by E. Godfrey Brown
'The Hebrides' Overture
Mendelssohn's Overture ' The Hebrides', otherwise known as ' Fingal's Cave ', was inspired by a visit paid by the composer to Scotland in 1829. This very beautiful work has well been described as a seascape and it certainly suggests the surge of the sea in all its power and ruggedness.
'Forest Murmurs'
This is one of Wagner's most magical pieces of descriptive writing.
Siegfried is lying under a tree listening dreamily to the music of the forest: the rustling of leaves, the ripple of the stream, and the songs of the birds.
Siegfried cuts himself a reed-pipe and tries to imitate the bird songs. He thinks about his mother, who died in giving him birth, and he becomes sad. We hear the expressive motive ' The Sorrow of the Volsungs '. Siegfried's thoughts now turn to love and the beautiful new theme of the hero's ' Longing for Love' is introduced.

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Leader: Philip Whiteway
Conducted By: E. Godfrey Brown

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THE BBC NORTHERN IRELAND ORCHESTRA

National Programme Daventry, 1 September 1939 13.15






About this project

This site contains the BBC listings information which the BBC printed in Radio Times between 1923 and 2009. You can search the site for BBC programmes, people, dates and Radio Times editions.

We hope it helps you find information about that long forgotten BBC programme, research a particular person or browse your own involvement with the BBC.

Through the listings, you will also be able to use the Genome search function to find thousands of radio and TV programmes that are already available to view or listen to on the BBC website.

There are more than 5 million programme listings in Genome. This is a historical record of the planned output and the BBC services of any given time. It should be viewed in this context and with the understanding that it reflects the attitudes and standards of its time - not those of today.

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