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Z Cars: The Soft Spot

Synopsis

We have produced a Style Guide to help editors follow a standard format when editing a listing. If you are unsure how best to edit this programme please take a moment to read it.
by Allan Prior.
There are two young constables in each car, ready to deal with trouble as it happens.

Alby Rafferty, an over-zealous car enthusiast, is not past redemption, thinks Sergeant Watt but he is not the only influence in Alby's life.
See page 43

Contributors

Writer: Allan Prior
Production Assistant: Ron Craddock
Assistant Floor Manager: Chris Bedloe
Floor Assistant: Tony James
Assistant: Peggy Lupton
Lighting: Eric Monk
Technical Manager: Bernard Fox
Sound Supervisor: Les Wilkins
Vision Mixer: Rachel Blayney
Crew: 6
Costume Supervisor: Ronnie Rowlands
Make-up Supervisor: Heather Stewart
Script Editor: Kenneth Ware
Designer: Don Brewer
Film sequences - Cameraman: Charles Lagus
Film sequences - Editor: Sheila S. Tomlinson
Producer: David E. Rose
Director: Eric Hills
Alby Rafferty: Bill Lyons
Ann Fazakerley: Lynne Farleigh
P.C. Weir: Joseph Brady
P.C. Smith: Brian Blessed
Sgt. Blackitt: Robert Keegan
Det.Chief Insp. Barlow: Stratford Johns
Det.Sgt. Watt: Frank Windsor
Tom Rafferty: J.G. Devlin
Liz Rafferty: Diana King
Chadwick: Richard Davies
Governor of Borstal: Emrys Leyshon
Jo: Janet Milner
Lorry driver: Alan Hockey
Colls: Steven Scott

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Z Cars: The Soft Spot

BBC One London, 7 October 1964 20.00






About this project

This site contains the BBC listings information which the BBC printed in Radio Times between 1923 and 2009. You can search the site for BBC programmes, people, dates and Radio Times editions.

We hope it helps you find information about that long forgotten BBC programme, research a particular person or browse your own involvement with the BBC.

Through the listings, you will also be able to use the Genome search function to find thousands of radio and TV programmes that are already available to view or listen to on the BBC website.

There are more than 5 million programme listings in Genome. This is a historical record of the planned output and the BBC services of any given time. It should be viewed in this context and with the understanding that it reflects the attitudes and standards of its time - not those of today.

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