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SUNBEAMS IN HIS HAT

Synopsis

We have produced a Style Guide to help editors follow a standard format when editing a listing. If you are unsure how best to edit this programme please take a moment to read it.
A study of Anton Chekhov by Louis MacNeice with and Others taking part:
Maurice Belter. Beth Boyd David Charlesworth
Paul Harris. Denys Hawthorne Carleton Hobbs , Noel Hood
Rolf Lefebvre. Denis McCarthy Colin Reese , Malcolm Rogers Daniel Salem. Henry Stamper Marjorie Westbury
Produced by DOROTHY BAKER
A description, from the viewpoint of the last day in Chekhov's life, of highlights in that life, remembered in a series of flashbacks: short, half-finished scenes which melt into the cruel present-Badenweiler, the eternal brass band, and the dying Chekhov. ironic and self-aware to the last moment.
†A new production of the programme first broadcast in 1941: second broadcast
Barbara Jefford Is a member of the Royal Shakespeare Company

Contributors

Unknown: Anton Chekhov
Unknown: Louis MacNeice
Unknown: Maurice Belter.
Unknown: Beth Boyd
Unknown: David Charlesworth
Unknown: Paul Harris.
Unknown: Denys Hawthorne
Unknown: Carleton Hobbs
Unknown: Noel Hood
Unknown: Rolf Lefebvre.
Unknown: Denis McCarthy
Unknown: Colin Reese
Unknown: Malcolm Rogers
Unknown: Daniel Salem.
Unknown: Henry Stamper
Unknown: Marjorie Westbury
Produced By: Dorothy Baker
Unknown: Barbara Jefford
Anton Chekhov: A!ec McCowen
Olga Knipper: Barbara Jefford

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SUNBEAMS IN HIS HAT

BBC Radio 3, 1 October 1967 21.45






About this project

This site contains the BBC listings information which the BBC printed in Radio Times between 1923 and 2009. You can search the site for BBC programmes, people, dates and Radio Times editions.

We hope it helps you find information about that long forgotten BBC programme, research a particular person or browse your own involvement with the BBC.

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There are more than 5 million programme listings in Genome. This is a historical record of the planned output and the BBC services of any given time. It should be viewed in this context and with the understanding that it reflects the attitudes and standards of its time - not those of today.

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