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BBC Radio 3

German Music of The Renaissance

by Senfl, Isaac and anonymous composers
MUSICA RESERVATA Jantina Noorman ( mezzo-soprano)
Nigel Rogers (tenor)
Don Smithers (cornett, crumhorn and sordun) David Munrow icurtal, crumhorn and sordun)
Alan Lumsden (sackbut) Tonv Moore (sackbut) John Beckett (organ) director MICHAEL MORROW (crumhorn)
BBC Radio 3

Josquin des Pres

MUSICA RESERVATA director MICHAEL MORROW conductor
JOHN BECKETT (organ) Vive le roy
Mille regretz (various settings) Fault d'argent (two settings) Frottola: El Grillo
La Bernardina (two settings)
Scaramella Pleine de dueil
La Déploration de Johan Ocke ghem
BBC Radio 3

Josquin des Pres

MUSICA RESERVATA director MICHAEL MORROW
JANTINA NOORMAN (mezzo-sop) MARGARET PHILPOT (Contralto) EDGAR FLEET (tenor) JOHN DUDLEY (tenor) DAVID THOMAS (bass)
CATHERINE MACKINTOSH (treble rebec and viol) DESMOND DUPRE
(tenor rebec and viol) DAPHNE WEBB
(tenor rebec and viol) ADAM SKEAPING
(violone and bass rebec) JULIAN CREME (lute)
ANTHONY ROOLEY (lute) conductor JOHN BECKETT (organ)
Vive le roy ; Mille regretz (various settings); Fault d'argent (two settings); Frottola: El Grillo; La Bernardina (two settings); Scaramella; Pleine de dueil; La déploration de Johan Ockeghem
BBC Radio 3

Renaissance Chansons and Dances

anon Hoftanz - Hupfauf: Benzenhauer
Dufay Ce moy de May soyons lies et joyeaux; Bon jour bon mois anen Vostre trey dowse regarde Dufay Mon chier amy, qu'avez vous empense?; Donnes I'assault anon Hoftanz - Hupfauf: Benzenhauer
Dufay Hé,. compaignons, resvelons nous; Ma belle dame souveraine anon Hoftanz - Hupfauf: Der ander tanz: MUSICA RESERVATA artistic director MICHAEL MORROW conducted by ANDREW PARROTT
BBC Radio 3

Plainsong and the Rise of European Music

Ars Antiqua Secular Motets Devised and introduced by Basil Lam
These motets, based on fragments of plainsong or popular melodies, come from the vast repertoire which nourished around Paris mostly in the 13th century. They may be regarded as the earliest chamber music; and different though they are from the Renaissance church motets, they show highly developed and subtle techniques in the combining of melodies. MUSICA RESERVATA director MICHAEL MORROW
(Repeated: Tuesday 7 March)
BBC Radio 3

Plainsong and the Rise of European Music

Ars Antlqua Secular Motels
Seventh in a series of 28 programmes, showing the pervasive Influence of Plainsong on the development of European music.
Devised and introduced by Basil Lam
These motets, based on fragments of plainsong or popular melodies, come from the vast repertoire which flourished around Paris mostly in the 13th century. They may be regarded as the earliest chamber music: and different though they are from the Renaissance church motets, they show highly developed and subtle techniques in the combining of melodies. MUSICA RESERVATA director MICHAEL MORROW
BBC Radio 3

This Week's Comoosers

The Court of Henry VIII
A gifted amateur himself, the young Henry brought to the English court a new emphasis on musical entertainment: lavish ' disguisings ' and ' mavings ' became favourite diversions, enriching the repertoryofsongsanddancesand severely depleting the privy purse.
With one exception, all five programmes this week dwell on this secular aspect of Henrv's musical life. sustained as it was by the work of several composers - among them William Cornyshe Robert Fayrfax and. to some extent, the monarch himself.
PURCELL CONSORT OF VOICES directed by GRAYSTON BURGESS MUSICA RESERVATA directed by MICHAEL MORROW gramophone records
BBC Radio 3

Morning Concert

A Royal Edition
Henry VIII Pastime with good company
PURCELL CONSORT OF VOICES MUSICA RESERVATA directed bv GRAYSTON BURGESS and MICHAEL MORROW
8.7*Frederick the Great Sinfonia in D major
EMIL SEILER CHAMBER ORCHESTRA conducted bv CARL GORVIN
8.17* Prince Albert Invocazione all armonia
PURCELL CONSORT Of VOICES directed hv GRAYSTON BURGESS
8.28* Prince Louis Ferdinand Octet, Op 12
MEMBERS OF THE
CONSORTIUM CLISSICUM: records
BBC Radio 3

,The Florentine Intermedi of 1589

On behalf of the European Broadcasting Union, the BBC presents the first concert in the Union's 12th International Concert Season, direct from St John 's, Smith Square, London
The six Interludes which were performed with various stage comedies at the Mtdici court in 1589 to celebrate the marriage of .Ferdinando de'Medici and Christine of Lorraine.
Music by Malvezzi, Marenzio. Peri, Caccini, Cavalieri, and others
Musica Reservata
(director MICHAEL MORROW ) including EMMA KIRKBY (soprano), JANTINA NOOR-MAN, NANCY LONG (mezZOsopranos), MARGARET PHIL -POT (contralto) with NIGEL ROGERS (tenor) conducted by Andrew Parrott
Intermedio 1: The Harmony of the Spheres
BBC Radio 3

Chantres Expers

Secular music by Josquin and his contemporaries
Josquin El grillo; Recordans de my segnora: Bergerette savoyenne; Quant je vous voy
Loyset Compere Vive Ie noble roy de France
Johannes Ghiselin Fors seulement
Compere Che fa la ramancina anon Che fa la ramancina Josquin Nymphes des bois; Cueurs desolez par toutes nations (two versions) Pierre de la Rue Cueurs desolez par toutes nations Compere Chanter ne puis de la Rue Pourquoi non, ne suis-je morir Johannes Vrede Nunca fue pena mayor
Antoine Brumel Tous les regretz
Josquin In te Domine speravi anon In te Domine speravi
MUSICA RESERVATA musical director MICHAEL MORROW conductor ANDREW PARROTT
BBC Radio 3

Renaissance Chansons and Dances

Secular vocal music by Dufay and anonymous instrumental dances performed by MUSICA RESERVATA artistic director
MICHAEL MORROW conducted by ANDREW PARROTT
BBC Radio 3

Early Music Forum

Presented by Nicholas Kenyon
Mannerism in Italian Music and Culture 1530-1630
IAIN FENLON reviews the recently-published book by Maria Rika Maniates , and considers the extent to which the term ' Mannerism' may properly be applied to music.
Carlo Gesualdo (c 1561-1613)
HUGH KEYTE introduces the third of nine programmes. The only one included in Early Music Forum, it is drawn mainly from the Fifth Book of Madrigals (1611)
Tu m'uecidi, a crudele: Gagliarda; Donna se m' ancidete; Tamo, mia vita; Asciugate i begli occhi; Dolcissima mia vita; Merce grido piangendo; Languisce al fin; All'ombra degl'allori MUSICA RESERVATA director MICHAEL MORROW conductor JOHN BYRT
BBC Radio 3

Early Music Forum

Presenter Lionel Salter Dufay's Secular Music The recent complete recording made by the MEDIEVAL ENSEMBLE OF London, reviewed by STEPHEN PETTI TT.
The Florentine lntermedi o/ 1589: The six lntermedi, originally broadcast in September 1979, are the main items in this and the next two programmes. ANDREW PARROTT conducts MUSICA RESERVATA
(director MICHAEL MORROW ) Intermedio 1: The
Harmony of the Spheres Intermedio 2: The
Singing Contest of the Muses and the Pierides
BBC Radio 3

Early Music Forum

Presented by Lionel Salter
East Meets West
The tenor NIGEL ROGERS describes how an encounter with a modern Indian singer threw new light on one of the more intractable problems of singing early Baroque music; with recorded examples by BHIMSEN joshi and NIGEL ROGERS.
NICHOLAS KENYON reviews ROBERT DONINGTON 'S recent book The Rise of Opera.
The fifth of the six
Florentine Intermedi of 1589:TheSavingof
Arion by the Dolphin
NIGEL ROGERS (tenor) with MUSICA RESERVATA director MICHAEL MORROW conducted by ANDREW PARROTT
BBC Radio 3

Early Music Forum

Presented by Lionel Satter The Florentine Intermedi of 1589: MUSICA RESERVATA director MICHAEL MORROW conducted by ANDREW PARROTT
Intermedio 3 (The
Battle between Apollo and the Python at Delphi) Intermedio 4 (The
Foretelling of the Age of Gold and of the Terrors of Hell)
Intermedio 6 (The Descent to Earth of Rhythm and Harmony)
After Intermedio 3, BRIAN TROWELL reviews the first volume in an important new series of studies in medieval and early modern music, Early Music History (1).
Producer CLIVE BENNETT
BBC Radio 3

Italian Music of the Late Renaissance

MUSICA RESERVATA director michael MORROW conductor ANDREW PARROTT
Music by Monteverdi, Frescobaldi, Banchieri, Caccinl, La.ssus and Wilbye






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