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CD Masters


We have recently produced a Style Guide to help editors follow a standard format when editing a listing. If you are unsure how best to edit this programme please take a moment to read it.
With Rob Cowan.
Soler, arr Power Biggs The Emperor's Fanfare Carlo Curley (organ)
10.05 Elgar Serenade for Strings Concert Hall Symphony Orchestra, conductor Walter Goehr
10.20 Anon The Play of Daniel (closing scene; Te Deum) New York Pro Musica, director Noah Greenberg
10.35 Soler, arr Yepes Guitar Sonata in E Narciso Yepes
10.40 Glazunov Violin Concerto in A minor, Op 82 Ida Haendel , Prague Symphony Orchestra, conductor Vaclav Smetacek
11.05 Mompou Jo et Pressent com la Mar; San
Marti; Asserin, Asserin; Damunt de Tu Nomes les Flors;Pito, Pito, Colorito Montserrat Caballe (soprano), Federico Mompou (piano)
11.20 Rheinhold Gliere Dance of the Moorish Girls (Ballet Suite No 1) All-Union Radio Orchestra, conducted by the composer
11.22 Bizet Symphony in C London Philharmonic Orchestra, conductor Walter Goehr
11.50 Soler Fandango
Rafael Puyana (harpsichord)


Unknown: Rob Cowan.
Unknown: Carlo Curley
Conductor: Walter Goehr
Director: Noah Greenberg
Unknown: Narciso Yepes
Unknown: Ida Haendel
Conductor: Vaclav Smetacek
Soprano: Federico Mompou
Conductor: Walter Goehr
Conductor: Soler Fandango
Harpsichord: Rafael Puyana

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About this project

This site contains the BBC listings information which the BBC printed in Radio Times between 1923 and 2009. You can search the site for BBC programmes, people, dates and Radio Times editions.

We hope it helps you find information about that long forgotten BBC programme, research a particular person or browse your own involvement with the BBC.

Through the listings, you will also be able to use the Genome search function to find thousands of radio and TV programmes that are already available to view or listen to on the BBC website.

There are more than 5 million programme listings in Genome. This is a historical record of the planned output and the BBC services of any given time. It should be viewed in this context and with the understanding that it reflects the attitudes and standards of its time - not those of today.

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